A Quote by Lynn Redgrave

And I also am very nervous about implants. You know, I'm just nervous about all that. So I could still do it. I could think about it. But I needed to adapt to myself.
It really made me nervous to write about it [Holocaust] and to approach it, because I was nervous about how to do it respectfully, and I was also thinking about how I could add something new to something that had already been so explored.
I've come to a point where I am less nervous when I am supposed to start a film. I am still super nervous on the day but I've lost a lot of my fear about what kind of perception people have about my film.
I'm always nervous about going home, just as I am nervous about rereading books that have meant a lot to me.
I'll think about something else. I'll just sit quietly. If I could sit still. If I could sit still, maybe I could read. Oh, all the books are about people who love each other, truly and sweetly. What do they want to write about that for? Don't they know it isn't true? Don't they know it's a lie, it's a God-damned lie? What do they have to tell about that for, when they know how it hurts?
When I'm nervous, I know I care about something - you should be nervous about things that you want.
You're only infallible about your own nervous system. You know what's going on in your own nervous system, whatever realities you're creating out of the infinite flux of being. You don't know anything about anybody else's reality unless they tell you about it. You gotta listen very sympathetically in order to understand them. So it's a limited infallibility.
If you write what you know about, you will always be on safe ground. I am very edgy and nervous about going into territories I know nothing about. That's why you don't find much high finance, group sex, or yachting parties in my stories.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
I'm a nervous sharer. I'm nervous to share things in their unfinished state just because, I mean, it's kind of embarrassing. You know what it could be, but you can't explain what it's going to be.
First and foremost, prayer is so helpful. But I think that you need to face your fears head on. Don't avoid them or say that you're not scared. Acknowledge it and be honest about it. It's normal to get nervous about a big game or to get nervous about an important event in your life.
I was very nervous about the accent. I was very nervous about being an American.
I was very nervous about going up to teach at Stanford and very nervous even about going to ARPA.
I guess I'm just very shy and nervous about putting myself on the line.
Sometimes you're so nervous about piloting something that you could probably just not empower others to finish what they're supposed to.
I think I'm most nervous about revealing how nervous I have always been. People think me calm, confident, poised. Inside I'm a jelly.
Seeing Pax get extra-nervous about which shirt he is going to wear when he meets Aung San Suu Kyi, I get very moved. He rightfully doesn't get nervous going to a movie premiere; he gets nervous going to meet her.
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