A Quote by Lynn Viehl

Yours is... il sent comme lavande." Is that French for 'You stink'?" It means 'lavender'." Huh." She sniffed at her wrist. "I thought I smelled more like a grape Popsicle. — © Lynn Viehl
Yours is... il sent comme lavande." Is that French for 'You stink'?" It means 'lavender'." Huh." She sniffed at her wrist. "I thought I smelled more like a grape Popsicle.
Madame V begins the lesson by reading aloud the first stanza of a famous French poem: Il pleure dans mon coeur Comme il pleut sur la ville; Quelle est cette langueur Qui penetre mon coeur? Then she looks up and without any warning she calls on me to translate it. I swallow hard, and try: "It's raining in my heart like it's raining in the city. What is this sadness that pierces my heart?" Saying these words out loud, right in front of the whole class, makes me feel like I'm not wearing any clothes.
The Samaritan woman grasped what He said with fervor that came from an awareness of her real need. The transaction was fascinating. She has come with a buket. He sent her back with a spring of living water. She had come as a reject. He sent her back being accepted by God Himself. She came wounded. He sent her back whole. She came laden with questions. He sent her back as a source for answers. She came living a life of quiet desperation. She ran back overflowing with hope. The disciples missed it all. It was lunchtime for them.
it always seems to me as if the lavender was a little woman in a green dress, with a lavender bonnet and a white kerchief. She's one of those strong, sweet, wholesome people, who always rest you, and her sweetness lingers long after she goes away.
Her hair was strawberry blond, and she had the shape of a popsicle stick: turn her sideways and she practically disappeared.
She had said she didn't feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn't imagine it. Breathing someone else's breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn't. Ever. Just the thought made her feel small and weak as a child.
Her smile was peculiar - it made her nose wrinkle, not as though she smelled something unpleasant, but more that she was so amused, her whole face wanted to be a part of the smile.
He made a sound like a choked laughed before he reached out and pulled her into her arms. She was aware of Luke watching them from the window, but she shut her eyes resolutely and buried her face against Jace's shoulder. He smelled of salt and blood, and only when his mouth came close to her ear did she understand what he was saying, and it was the simplest litany of all: her name, just her name.
Taking a deep breath that smelled of rain, she was poised to move when a hand clasped her elbow. Memories of another hand grabbing her sent panic shooting through her veins. She swung around. "Whoa. You okay?" Lucas lightened his clasp around her arm. Kylie caught her breath and stared up at the werewolf's blue eyes. "Yeah. You just...surprised me. You need to whistle when you come up on me.
It's the secret smile you get from knowing that, somewhere, there is someone who is yours. Not in the sense that you own her or control her. She is yours because you can say anything to her, whenever you need to. And she can do the same, whenever she needs to.
Her nakedness was not absolute, for like Manet's _Olympia__, behind her ear she had a poisonous flower with orange petals, and she also wore a gold bangle on her right wrist and a necklace of tiny pearls. I imagined I would never see anything more exciting for as long as I lived, and today I can confirm that I was right.
Theres no stink more sorrorful than the stink of wet, burnt paper. It means: the end.
There once was a miller with a daughter as lovely as a grape. He told the king that she could spin gold out of common straw. The king summoned the girl and locked her in a room full of straw and told her to spin it into gold or she would die like a criminal. Poor grape with no one to pick. Luscious and round and sleek. Poor thing. To die and never see Brooklyn. (Rumpelstiltskin)
A tall blonde entered the room, wearing a yellow sash that marked her as advocate. Two men followed her, carrying papers. She was lean and long-legged, with a graceful neck and nice ankles, and William took a minute to watch her come down the aisle. She looked high-strung and difficult. Still, good legs. Mmm, smelled of mimosa, too. Expensive scent. Cerise smelled better, when clean.
I thought he'd pick me, I know he has kids, but when it came down to it, I really thought he'd pick me." Tears rolled down her face and her nose ran. She sniffed. "I know I'm selfish" "You're human" "I wanted him to abandon his children
I've always thought - and I don't even know if I'd be right for the part - that Jean Seberg would make a great biopic. She was in Jean-Luc Godard's 'Breathless,' she played Joan of Arc. She had this eventful and traumatic adulthood, she thought the FBI was after her, and she became a darling of the French New Wave.
She smelled like England, of soft rain and sun-kissed meadows. And she felt like the best kind of heaven. He wanted to wrap himself around, bury himself within her, and stay there for all of his days. He hadn’t had a drop to drink in three years, but he was intoxicated now, bubbling with a lightness he’d never thought to feel again.
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