A Quote by Lynne Rae Perkins

I'm heavily influenced by Edward Ardizzone, how he has people talking in little speech bubbles. I love those. And also Edward Gorey. Those are two of my favorite people.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
Is the fire gone?" "Yes," I sighed. "Thank you, Edward." "I love you," he answered. "I know," I breathed, so tired. I heard my favorite sound in the world: Edward's quiet laugh, weak with relief.
I was a million percent in love with Edward Scissorhands. I remember looking in the mirror on the last day of shooting... and thinking how sad I was to be saying goodbye to Edward.
So, instead of panicking, I closed my eyes and spent the twenty minutes' drive with Edward. I imagined that I had stayed at the airport to meet Edward. I visualized how I would stand on my toes, the sooner to see his face. How quickly, how gracefully he would move through the crowds of people separating us. And then I would run to close those last few feet between us - reckless as always - and I would be in his marble arms, finally safe.
I'm a big fan of Edward Gorey, and I don't think he has been portrayed in film.
When I was young, my favorite picture book was 'Fletcher and Zenobia,' written by Edward Gorey and illustrated by Victoria Chess. It's long out of print now, but its mix of macabre humor and 1960s psychedelia made it a perfect children's book for the times.
As a small kid, I came across things like these early Edward Gorey books in department-store bookstores. These were these really unusual objects to me. I didn't know how they fit into the comic world or into newspaper comics.
Edward stretched out his arm, his hand curled into a fist. Seth grinned, revealing the long row of dagger teeth, and bumped his nose against Edward's hand. "Nice teamwork," Edward murmured.
Let us not compare Edward Snowden's situation with that of Chelsea Manning or Jeremy Hammond, who is also imprisoned in the United States. As a result of WikiLeaks' hard work, Edward Snowden has political asylum, has travel documents, lives with his girlfriend, goes to the ballet and earns substantial speaking fees. Edward Snowden is essentially free and happy. That is no coincidence. It was my strategy to undo the chilling effect of the 35 year Manning sentence and it has worked.
Okay, look. I get it. You're one of those people who thinks they have to help screwed-up people. Or maybe you're attracted to dangerous, unbalanced people. But listen up: I'm not Edward and you're not Bella" - Lana
I play Edward G. Robinson [in Trumbo], who was a close friend and a co-worker of Dalton's [Trumbo]. They worked together on at least one or two screenplays. A lot of these stories take famous people and show you who they are behind the scenes, which is kind of fun. One of the things about getting to play Edward G. Robinson was learning who the man was away from his movie-star exterior.
I was consumed by the mystery Edward presented. And more than a little obsessed by Edward himself. Stupid, stupid, stupid. I wasn't as eager to escape Forks as I should be, as any normal, sane person would be.
Of course, I still saw Edward at school, because there wasn't anything Charlie [her dad] could do about that. And then, Edward spent almost every night in my room, too, but Charlie wasn't precisely aware of that. Edward's ability to climb easily and silently through my second-story window was almost as useful as his ability to read Charlie's mind.
I would probably never be able to do anything interesting or special like Edward, Alice and Jasper could do. Maybe I would just love Edward more than anyone in the history of the world had ever loved anyone else.
Go out and find a copy of 'The Shrinking Of Treehorn' and its sequel, 'Treehorn's Treasure.' Written by Florence Parry Heide and illustrated by the great Edward Gorey, master of the gothic and the macabre, these books are small masterpieces.
That is [Edward Said] proposal as to how the term should be used. It surely does not describe those who are called "intellectuals" in standard usage, as he would be the first to agree.
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