A Quote by Lynne Rae Perkins
It would look like a notebook with dividers, and there'd be different subjects and things [preschoolers] could do, so that they could feel like they were going to school also.
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So what if Brian made me feel like fireworks were going off inside me. He could also make me feel like a big fat clod of heartsick dirt. It was like he could take any emotion I had and make it ten times stronger. Which is great when it's happiness but pretty darn awful if it's anything sad.
Going to a grammar school, you mixed with all sorts of different types and I used to listen to how they talked. When I did my imitations, I could sound like someone really rough, or I could sound like a cabinet minister.
I feel like Valleywag has been different things with different writers over the years. Up and down. I think it's at their best when they get a legitimate scoop, like when someone leaks them documents. I feel like we could do more of that, breaking stories.
I feel like success is really subjective. You could win a school talent show and be like "I was successful", or you could get a Number One in New Zealand and be like "I was successful', or you could win a Grammy and be like "I was successful".
I ended up at Tufts because I fell in love with its unique theater program and because I wanted to go to a liberal arts school where I could study a variety of subjects. Also, my parents were less than an hour away, so I could bring home laundry on the weekends.
There were a million different things I could have chosen or wanted to do, but the path of an artist was the one that pulled me the most. I did local theater and plays in school. I think there was a sense of entertaining - being on the stage, making people laugh, making people cry - that I was drawn to. It was also one of those things like, "I can do this for a very long time."
Mom's eyes held yours for a moment. 'I don't like or dislike the kitchen. I cooked because I had to. I had to stay in the kitchen so you could all eat and go to school. How could you only do what you like? There are things you have to do whether you like it or not.' Mom's expression asked, What kind of question is that? And then she murmured, 'If you only do what you like, who's going to do what you don't like?
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
I sat on the bench by the willows and at my honey bun and read Triton. There are some awful things in the world, it’s true, but there are also some great books. When I grow up I would like to write something that someone could read sitting on a bench on a day that isn’t all that warm and they could sit reading it and totally forget where they were or what time it was so that they were more inside the book than inside their own head. I’d like to write like Delany or Heinlein or Le Guin.
I have always found small mammals enough like ourselves to feel that I could understand what their lives would be like, and yet different enough to make it a sort of adventure and exploration to see what they were doing.
Grandad taught me that the alien signs and symbols of algebraic equations were not just marks on paper. They were not flat. They were three-dimensional, and you could approach them from different directions, look at them from different ways, stand them on their heads. You could take them apart and put them back together in a variety of shapes, like Legos. I stopped being scared of them.
I hate mirrors; every time I look in one I see things that could be improved. If I could give my younger self any advice it would be: ‘Take a deep breath, the world is not ending – and do something with your hair.’ I had the same haircut from when I was a toddler all the way through high school, it was this weird side-parting. I didn’t like change.
At the school where I went you were able to check out instruments like you check out a library book, if your parents signed for you and vouched for you. Then after you had it for a little while you could decide if you were interested in taking lessons or you could also get your own gear. Or you could turn that instrument in for another one and try something else. So that's how I got my hands on the guitar.
I wanted to show that women could run, but I also wanted to kind of inspire the idea that ordinary people can run. I was like, boy, I feel so good when I run, if everybody could feel like this, this sense of joy and physical well-being and strength and autonomy you have when you run, how much better the world would be, you know?
Moving [to the White House], whatever stresses would be on my husband and me, we could handle; we are grown-ups. But it wouldn't be until the day that my kids came home and said to me, "I like it here," that I'd feel like I could breathe and know that we're all going to be okay here.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
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