A Quote by Lynne Rae Perkins

I generally have an idea where I want to go, but I don't know how I'm going to get there. — © Lynne Rae Perkins
I generally have an idea where I want to go, but I don't know how I'm going to get there.
I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set.
I think the idea of fact-checking, I think the idea that you come up through a system where you know how to cover night cops, and then you go on, and you go on to various beats, including writing obituaries, and you get names right, you know how to spell them, really has some advantages to it.
You would be surprised how many directors don't know what they want. They might not know what they want until they see it, they might know what they want but no idea how to get it out of the actor, then you've both got a problem.
Generally speaking, books don't cause much harm. Except when you read them, that is. Then they cause all kinds of problems. Books can, for example, give you ideas. I don't know if you've ever had an idea before, but, if you have, you know how much trouble an idea can get you into.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
Generally, our first idea of what our business is going to be is not the right one. It takes a few iterations; to get there, you have to be able to let go.
My dad was a lovely guy. I had great parents. But he was a conservative shopkeeper, and he said, "Look, I don't know how to help you as an actor, but if you want to be an actor, give it a go for a year. Get a job. And if you don't get a job, then we're going to reevaluate and you're going to go back to school." And I thought that was a fair thing.
I don't know how far, I don't know where I'm going to be or where I'm going to go, but I know this - if a team comes to grab me, I know they're going to get a special player, and I'm ready to show them what I can do and make sure I can contribute.
I usually know where I want to end up when I begin, but I have no idea how I'm going to get there... I don't write with an outline, and surprises happen on the way, and sometimes it changes.
I think there's a growing number of pitchers who want to have a plan going into a game about how they're going to go after that lineup. I'd say 75 percent want to have an idea, and they plan their attack. I know that 75 percent of hitters do not have that same type of plan against a pitcher.
Generally, that's what happens-a fundamental rotting of the idea. They woke up with the wrong idea. It's just like music: If you don't have an innate love or calling for it, then no matter how much you study or how well you can play by looking at the score, it doesn't mean that you're going to make really good music.
I like to sit down every day and not know where the book is going. I have no idea where the book is going to go or how it's going to end as I'm writing it.
After each experience, you grow up, you get enriched with something, and you don't know how you're going to be in six months, you don't know what you're going to want, what you're going to need.
Generally I start writing when I have even the smallest idea of how a book is going to go, because the physical process of writing itself keeps the mind active and focused on the job at hand. Usually I write in about 5 drafts, but that simply means there are 5 definite times when I go in a linear fashion from the beginning to the end of the book.
Generally, I don't want to do things. I feel lazy and unmotivated. It's only when an idea grabs hold of me and I can't get rid of it, when I try not to think about it and yet it's ambushing me all the time. I'm thrown up against a wall. The idea is saying to me, "You have to pay attention to me because I am going to be the future of your life for the next year or two or five." Then I submit. I get into it. It's something that becomes so necessary to me that I can't live without doing that project.
I usually have an idea of how I want a song to sound, but I don't always know how to get there
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