A Quote by Lynne Rae Perkins

I don't like things to be static when I'm working. — © Lynne Rae Perkins
I don't like things to be static when I'm working.
Even in those early years of Static-X, there was a pattern emerging where I would spend all my free time writing songs for Static-X and the other guys in the band spent their free time working on their other projects.
Democracy cannot be static. Whatever is static is dead.
I think [Nikola Tesla] was always like that. And so it was inevitable that he would be an inventor. Because it was so easy for him to think fourth-dimensionally, dynamically. It wasn't just a static thing with him. In other words, it isn't the way an architect thinks, which is essentially static.
One practice I rely on all the time is basic meditation which allows me to strip away the noise. It's like the old-fashioned dial on the radio, where you were getting static and then you found that clear, sweet spot on the dial, where the music would come through. That's what meditation is for me. Dialling out the static, the noise, the anxiety, the fear, and coming into a place that's deep and quiet. It's like dropping into a well of inspiration and wisdom.
When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
Television is such an evolving medium. When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
I like working on action films, and I like working on movies that are comic book based, or that have this theme, because they're things I watched or loved as a kid.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
Once we actually have the production script after many rewrites, at that point is when I start to decide what the look and colors will be. I work like a painter, even though I'm working in three dimensions. I'm working with chairs. I'm working with walls. But even things like the floor or the walls that people might think are not important, they actually do influence the visual look of the film. These are also things that I have to think about.
I grew up with the idea of the cyborg and the robot, but at the same time I felt this intense disconnection between the things I was engaged with and inspired by in terms of fun and play. It seemed like paintings and drawings were so static.
Some people like the off days to do a light practice or work on things and then get ready for the next match. I don't mind going out and playing a doubles match and working on returning serving and working on a few things.
All science is static in the sense that it describes the unchanging aspects of things.
The most ominous of fallacies - the belief that things can be kept static by inaction
Change is fundamental in story. If things go static, stories die.
After the 2009 'Cult Of Static' touring cycle ended, I felt that, as a band, Static-X had accomplished everything we set out to accomplish, and now I could finally take the time to do my own thing and make a record that is completely my vision without compromising for anyone or anything.
I guess that the salary that they get when they are working with me is, like, it beats working at McDonalds, so it has got some things going for it.
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