A Quote by Lynne Rae Perkins
If I could make a career out of drawing little girls hiding in corners, I would do really well.
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I think that when I was first starting out, even after I was on 'Gilmore Girls,' when things were going pretty well, I was constantly focused on what's next, how can my career get bigger? I could've had a little more fun, and I think I could've had a little more gratitude for the job I did have.
I grew up doing certain little things in the musical theatre realm, but I didn't really understand that you could... make a career out of it.
I'd done a drawing of the model using only peripheral vision, looking at a spot on the wall to the right of where she sat. It wasn't really a drawing of her I produced; it was a drawing of the cloud of lights and darks she dissolved into when I focused on the spot. You could look at my drawing of this cloud and read it as a nude female figure, though a little translation was required.
I was just trying out and having some fun. I don't think I'd want to pursue singing as a career; it's an on-the-side thing. It would be great if I could make a career out of it but if I can't, that's OK too.
Of course it would cost something, but he was an expert in cutting corners; and when there were no more corners left he would make circles rounder.
I made a drawing for a book I'm working . It's a little drawing of a girl who's ashamed and upset and hides in the corner of the closet. It's the kind of drawing that I feel like I'm really good at.
I see caring for somebody as a creative outlet. I like drawing little faces and writing little stories and hiding them in places. I don't think it's that hard to be thoughtful, especially when you do care about the person.
Watching 'Girls,' it was really angering for me at first, because I really had spent decades hiding unlikable, unattractive Jewish girls in likable, attractive, non-Jewish actors and characters.
If you came from the future and you arrived here, what would you be like? Would your immune system be depressed from that travel? Would you be well? Would you be ill? Would you be affected by micro-organisms of the time period and be hiding out in a basement? How would it all work, practically?
I really believe, when you come out of hiding, in whatever way you're hiding, you get to go out into the sunlight.
If [Bernard Leach] didn't like the drawing, he'd X it out and do another one and change the form a little bit. And when he was all done, he would stuff these pieces of paper in his pocket and go off to the pottery, and when he wanted to make pots, he would then take these out and he'd begin to produce the pot that he had designed on paper in front of us.
These girls come; they last one season; they're completely used up and dried out and sent back home. That's not how to make a life. I want a girl to come in knowing full well what she's getting into and being able to deal and make decisions that will create a career.
You know there's always that kid in your class — and every class has one — the kid who draws all the time and is really good? That was not me. I was a lousy draftsman. But as soon as I figured out that I could make things come alive, like using the corners of my math book to make flipbooks, I was hooked.
I've had young women come to me and say that before they watched 'Voyager' it didn't really occur to them that they could be successful in a higher position in the field of science; girls going to MIT, girls pursuing astrophysics with a view to a career in NASA.
I like taking different elements - clothes, shoes, lighting - and creating a total transformation. But it's never about hiding: it's about drawing something out from deep inside of me that's really true. I'm always trying really hard to tell you the truth. That's what this is all about for me.
You could make a poultice out of mud to cool a fever. You could plant seeds in mud and grow a crop to feed your children. Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.
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