A Quote by Lynne Ramsay

I think audiences are quite sophisticated. — © Lynne Ramsay
I think audiences are quite sophisticated.
Minimalism seems closest to the sophisticated storytelling of movies. Movies have really educated contemporary audiences to be the most intelligent, sophisticated audiences in history. We don't any longer need to have the relationship between one scene and the next explained. We will figure it out ourselves.
I'm not really much of a genre guy. I think that audiences don't need that anymore where you just need a very specific genre. Audiences are very sophisticated, and as long as it's fun, it's okay and entertaining.
I think audiences are far too sophisticated now to have an English actor putting on a Russian accent - it feels fake.
I think feature film can be quite conservative, because you have to now get audiences to come out, and it's quite a hard thing to do. Of course, television can be conservative too.
It works in the comic book, but as the audiences have gotten older and more sophisticated, I think the stories need to grow up with them. This is a story about a couple of rival gangs and what goes wrong in a couple of days.
The hope is that in rediscovering 'Chicago,' audiences will rediscover what theater was. It was sophisticated, complicated, adult.
I think audiences are quite comfortable watching something coming into being.
I think that Congress and its affiliates and journalists who support them have made trolling quite a sophisticated measure of intervention.
I feel that audiences are very sophisticated, and part of my challenge is to keep them engaged because they are so complex.
We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.
You learn quite a bit about your film from test screening audiences. With both comedies and movies that are intense, you need to calibrate the film and see how audiences react.
My goal is always to make something unpredictable that feels inevitable in the end. It's getting harder to do that. Audiences are so sophisticated and so smart.
TV can reach broad audiences, mass audiences, niche audiences; it can be local, regional, national; it can be spots, sponsorship, interactive. It can be anything you want it to be. I tend to think of TV as the Swiss Army knife of media, it's got something for everybody.
I think audiences crave something new. I don't think audiences want the same old thing, no matter how much conventional Hollywood tells you that.
But I just don't think it's an abyss of nothingness [after death] and that we fall off and that our journey stops. I think it's circular and we go and we go and we go. I know that there are civilizations that I think are way more sophisticated than we are and I think more sophisticated civilizations lived before us.
British audiences tend to want to see their own lives reflected on TV, whereas American audiences are quite aspirational and enjoy high-concept shows that show them lives that are perhaps slightly more exciting than they aspire to.
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