A Quote by Lynne Stewart

I got a job as a children's librarian at PS 175 in Harlem, and that changed everything. That was an epiphany. I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles.
I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles. So I went to the school and, being a smart cookie - as they called us in those days - I had a million questions. How did this place exist? How come I didn't know about it? Why are people living like this? Do they want to live like this?
Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place. A lot of them are from the south, so they bring those southern influences with them.
As a kid growing up and seeing so much strife taking place in society, and particularly on Blacks and people of color, I had an opportunity as a young man to witness the change that was taking place in Harlem, the exodus of white folks leaving Harlem, which I thought was a very cohesive situation. But they felt that they needed to leave.
My peers at the time: you know, young black kids from off the streets of Harlem, having these conversations with me in my small, dirty little studio up in Harlem.
I don't know who I would be if I weren't this child from Harlem, this woman from Harlem. It's in me so deep.
I got a chance to work with Miles Davis, and that changed everything for me, 'cause Miles really encouraged all his musicians to reach beyond what they know, go into unknown territory and explore. It's made a difference to me and the decisions that I've made over the years about how to approach a project in this music.
When I was a little kid, I used to walk miles and miles and miles and miles and miles and miles of railroad tracks.
Melting pot Harlem-Harlem of honey and chocolate and caramel and rum and vinegar and lemon and lime and gall. Dusky dream Harlem rumbling into a nightmare tunnel where the subway from the Bronx keeps right on downtown.
You know, I grew up Black in America, I grew up close to Spanish Harlem where we ain't have much money, but we was like all friends and cool and playing and going to school together.
If a tornado twists at 175 miles an hour and stays on the ground like a massive lawnmower for 50 miles, God gave the command.
For me, growing up in Harlem and then migrating down to SoHo and the Lower East Side and chillin' down there and making that my stomping ground... That was a big thing, because I'm from Harlem, and downtown is more artsy and also more open-minded. So I got the best of both worlds.
I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library.
When I first got to the city, I had no money. I was living in Queens amongst boxes and lived in Harlem and didn't have a couch.
People are too afraid of uptown. A lot of people will tell you, like, "Don't go to Harlem. You can never go there. 'Cause as soon as you get there, they kill you." That's what people think. As soon as you arrive in Harlem, someone just stabs you in the face right away. That's people's image of Harlem: just everyone standing around waiting for lost white people to kill all day. "Did you see any? I didn't either."
If someone says, 'Hey, I ran 100 miles this week. How far did you run?' ignore him! What the hell difference does it make?.... The magic is in the man, not the 100 miles.
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