A Quote by Lynne Tillman
I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
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The risk of working with people you don't respect; the risk of working for a company whose values are incosistent with your own; the risk of compromising what's important; the risk of doing something that fails to express-or even contradicts--who you are. And then there is the most dangerous risk of all--the risk of spending your life not doing what you want on the bet that you can buy yourself the freedom to do it later.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
The word "metaphor" means carrying something from one place to another . . . and it is when you describe something by using a word for something that it isn't. This means that the word "metaphor" is a metaphor. I think it should be called a lie because a pig is not like a day and people people do not have skeletons in their cupboards. And when I try and make a picture of the phrase in my head it just confuses me because imagining and apple in someone's eye doesn't have anything to do with liking someone a lot and it makes you forget what the person was talking about.
Many young people are not having safe sex because they think medicines will make everything okay. The thing about these medicines is that you often have to take them your whole life. They can be very aggressive chemicals for your body. Just because you don't hear of as many people around you dying from HIV/AIDS - just like how it was in the '80s and '90s - you can still die. I'd say to someone who's very young to protect themselves and protect their lives. There's nothing safer than not catching this virus. It's having something that never goes out of your system.
People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
We can’t save ourselves from fear by seeking safety, because safety always means there’s something to be safe from-in other words, something to fear. The way out of fear isn’t safety. It’s freedom.
Sometimes compromise is important. Sometimes it's better to give in to someone else's wishes in order to have fun as a group or as a couple, or for the benefit of the team. Sometimes compromise is dangerous. We need to guard against compromising our standards to gain the approval or love of someone else. Decide when you can, and when you cannot, compromise. If it's not harmful and you are ambivalent about a decision, then compromise. If it could lead to breaking your values, compromise isn't a good idea.
How are you going to protect me?? do you even know what it means to protect someone?? you think giving a crying person icecream is a way of comforting or protecting them?!?! you don't even know anything! you don't know how to love someone, you don't know how to show love, and you don't know what it means to protect someone. you hurt people without realizing it
I have visions and ideas about different things. Other actors just inspire you, so writing is something I would love to do more of. I would really be interested in doing something in that vein, writing something for myself or someone else and directing for sure.
To be honest," I halfwhispered, "I don't feel as safe with him as I do with you." "I know." A ghost of a smile touched my lips. "How do you know?" "Think about what safety is, Ella." "Trust?" "Yes, partly. But also an absence of risk." He unstuck a strand of hair from my damp cheek and tucked it back. "Maybe you need to take a risk. Maybe you need to be with someone who rattles you a little.
People are always like, 'Did you purposely do something to make people uncomfortable?' And I say the reason why it's uncomfortable is because it's either something that we can't talk about or aren't supposed to talk about, and they're images that aren't ever seen.
Publishers are very risk-averse, so they lean towards licenses and sequels. But the fact is that even those are not guaranteed hits. So, if 'playing it safe' does not guarantee hits, they might as well leave it up to the really creative, risk-taking people, because they couldn't do any worse.
I wanted to be a director first to protect my writing. I'm a playwright and you don't need to protect your writing when you're in the theater because everyone's there to protect the writing. When I had an idea for a film that I really cared about as my own, I wanted to direct it, and then I immediately became interested in directing in and of itself because it's such a deep art. You suddenly have all these tools at your disposal to tell the story.
There's probably a certain confidence in your voice, or something, that is validated. You know what I mean? I'm just imagining if people didn't already say that you were cool, that you'd [have] more doubt in what you're doing. That's not so conscious, but that's part of my cosmology now.
People buy pads all the time, because they want to write stuff down. We're never going to get away from paper, ever. People like writing; that's why more people are writing more real thank-you notes now - not just to stand out, but because there's something about pen to paper, about holding something cool in your hands.
I think people get excited about someone discovering something that blew their mind when they were younger. I think it makes people kind of nostalgic and happy. That's one of the really great things about the Internet, that it can bring people together in that way of just being interested in the same stuff.
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