A Quote by Lynne Tillman

There are lots of unlikable characters in literature. It doesn't mean they're not fascinating. — © Lynne Tillman
There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.

Quote Author

I don't know whether it's audiences or filmmakers who want characters to be likable today, but I don't think actors are afraid of their characters being unlikable.
It's interesting to have two totally unlikable characters as the love interests on a show.
I think art, especially literature, has the particular power to immerse the viewer or reader into another world. This is especially powerful in literature, when a reader lives the experience of the characters. So if the characters are human and real enough, then readers will feel empathy for them.
India is a culture in which religious life and spirituality is very much on the surface of things. That doesn't mean it doesn't have depth, but it is very visible. There are lots of temples, lots of Islamic centers, lots of gurdwaras, and lots of teachers.
To me, part of the fascinating profession of acting is to participate in all these strange situations, to try to understand all these interesting characters, fictitious or real, their human nature... It's extraordinarily fascinating.
I do lots of reading and speaking at many universities about literature and also about politics, which is as much a part of my life as the literature.
I still wrestle with the catharsis of acting. I don't end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that I don't always feel good.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
Of course I know my characters are unlikable sometimes or have prejudices. It's not as if I'm thinking they're so endearing all the time. I guess it's much more interesting to me to write someone who is a combination of good and bad qualities because that's what people are like in real life.
What an artist does, is fail. Any reading of the literature, (I mean the literature of artistic creation), however summary, will persuade you instantly that the paradigmatic artistic experience is that of failure. The actualization fails to meet, equal, the intuition. There is something "out there" which cannot be brought "here". This is standard. I don't mean bad artists, I mean good artists. There is no such thing as a "successful artist" (except, of course, in worldly terms).
Philip Roth has made a cottage industry of unlikable characters, but compared with Mickey Sabbath, the furious and profane protagonist of 'Sabbath's Theater,' Roth's earlier creations seem like Winnie the Pooh.
Well, the thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human.
What is fascinating about a place like Los Angeles airport is that it is lots and lots of people, many of whom have saved up all their lives and channeled all of their energies toward coming to the promised land of abundance and plenty - the American Dream. But as soon as they arrive here they get a crash course in the American reality.
I don't end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that, I don't always feel good. I get a lot more catharsis from taking pictures or painting or making short films.
It's more like there are some really obvious things that are different and then lots and lots of smaller things, lots of things about who lives and who dies, civilizations that rose and fell, all the way down to individual characters. That becomes the state of where you left your galaxy. The endings have a lot more sophistication and variety in them.
Watching 'Girls,' it was really angering for me at first, because I really had spent decades hiding unlikable, unattractive Jewish girls in likable, attractive, non-Jewish actors and characters.
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