A Quote by Lynne Tillman
I think there's much more privileging of the new in art. I think people want to think they privilege the new in writing, but I agree with Virginia Woolf. She wrote a great essay called "Craftsmanship" about how difficult it is to use new words. It's really hard, but you see them coming in because obviously, if you're going to write... I mean, even to write "cell phone" in a novel - it's so boring.
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There are some words I find impossibly difficult ... 'Love,' 'feeling' and especially 'happiness' are at the head of the list. This is not because I haven't experienced any of them but because whenever I think about using the words I don't really know what anyone means by them. I'd find it easier to sit down and write a book about each (coming, obviously, to no conclusion) than to use them casually in speech or writing.
I think when people see Pluto revealed by New Horizons, its satellite system, its complex surface, its atmosphere, I think they'll have a hard time saying 'That's not a planet' because it obviously will be, and I think most people are already coming to that opinion anyway, but I think that's really going to drive it home viscerally.
And then afterwards I worked in advertising for a year which taught me about writing even when you don't want to (laughter) because there's never a moment that you want to write about an Erickson cell phone but you have to. And that's really important you know obviously for the...like if you really want to write, you have to write every day no matter how you feel or you know. And then, yeah, and then I ended up working in TV and then from TV into movies and then directing, so.
Well I think after leaving prison, and having written three diaries about life in prison, it became a sort of a new challenge to write another novel, to write a new novel.
I think we have a great deal of mythology around writing. We believe that only a few people can really do it. I wrote a book called 'The Right to Write.' In it, I argued that all of us have the capacity to write. That it's as normal to write as it is to speak.
One's politics are part of one even when one is writing. But if I want to say anything about the state of civil society, I will write an essay. The responsibilities you feel as a novelist are literary ones, I think, not civic ones. And I think politicians are interesting to write about.
I was living in a house in the West Village of New York and trying to be Carrie Bradshaw. I wrote a whole 5 pages about this character who wasn't going to wear high heels because it was not empowering. I've read that article 1000 times, it's so boring! I was writing really cliched women's stuff which is exactly what I didn't want to write.
The midwest is great because it hasn't been entirely claimed. There's more room to write about it; it's harder to write about New York, because even if you've never been there, you think you know what it's like. To do it in any sort of fresh way is trickier.
I figure 1000 words a day, or four pages, and sometimes I'll write more, but I'll try not to. Because I think you don't want to exhaust what it is you're writing about, so the next day you would have to gear up for a brand new scene.
I have a really good idea of who my readers are and always write with a sensitivity to my audience. I use the F word when necessary, but there are words I won't use, mainly because I don't like them. I don't write about body parts when I write about sex. It's not about the physiological, it's more important for teens to read about the emotional aspects. I do think there are times when self-censorship is important.
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
I want to have new challenges and write new crazy books because I think it makes me a better writer to be insecure and try new things.
Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave.
I don't write jokes first. I write down topics. I think of what I want to talk about, and then I write the jokes - they don't write me... And even if you don't think it's funny, you won't think it's boring. You might disagree, but you'll listen. And maybe even laugh as you disagree.
I think the downloadable scene in general is really, really interesting for developers because it's low-risk. It doesn't require as much money as a triple-A title. And it's a great proving ground for new IPs, new concepts, new ideas - things that I think I, as a developer, find really attractive.
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