A Quote by Lynne Truss

What I have always liked about Brighton is its impersonality. Since the 18th century, people have come, used the place and gone home again. — © Lynne Truss
What I have always liked about Brighton is its impersonality. Since the 18th century, people have come, used the place and gone home again.
If you go to old houses on Long Island you will see painted Chinese wallpaper, which was big in the 18th century. Throughout history, notable, established families have always tried to link to the 18th century.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
Home is where the people who live there need me to come home to them, and worry about me when I'm gone. There's no such place on this earth, no matter how far I drive.
Design is interesting because it's utopian. Art is often a jaundiced commentary on contemporary life. Design is always about the future; it's always about something great and new that's come out that will make the future brighter. It has this weird 18th - century positivism about it.
Satire about any and all professionals with a special vocabulary has been a staple of fiction and popular ridicule since the 18th century.
Home is home wherever you grow up generally speaking. Unless you're one of those people who always wants to get out of a small town and do something bigger with your life, which I always did but I always wanted to come back, so home is home and its a great place for me to come back and escape the hustle and bustle of the life that I live.
Home, I learned, can be anywhere you make it. Home is also the place to which you come back again and again.
The vast majority of those of Scots lineage living in the Ulster counties in the 18th century had come across, or their people had come across, in the 1690s. And they were victims of famine. Over that decade, 30000-50000 people were fleeing from that disaster. In terms of per capita loss, it was of the same order of magnitude as the Irish famine (of the 19th century).
Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it...that was mysterious. What I wanted to look at was the forms of enchantment.
Since the 18th century, many Western intellectuals have predicted religion's imminent demise.
Since the revolution of the 18th century, America has basically had an ideology of liberal democracy and constitutionalism.
I am an American citizen and it is my home now. I like the U.S.A., which is not a place too many people have liked since Bush. The U.S. has a young population, and everything can change within a year.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
I liked the place I came from. But a lot of what I liked about it was that I had come from there.
I am an American citizen and it is my home now. I like the USA, which is not a place too many people have liked since Bush. The US has a young population, and everything can change within a year.
We don't have a clear path forward, and that's been the case for feminism since the 18th century, when the idea of the rights of women actually began.
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