A Quote by Lynsay Sands

I'd rather lose her from my life, but know she was alive and well than lose her altogether to death. — © Lynsay Sands
I'd rather lose her from my life, but know she was alive and well than lose her altogether to death.
How will a person know, Selina, when the soul that has the affinity with hers is near it?" She answered, "She will know. Does she look for air, before she breathes it? This love will be guided to her; and when it comes, she will know. And she will do anything to keep that love about her, then. Because to lose it will be like a death to her.
I know hands down I would lose for sure, but I would love to just dance with Beyoncé. Really, that's what my dream is. She is such a good dancer and I know I would lose, like hands down I know I would lose, but I just want to be in her presence and see her dance up close. She is so good, I am literally obsessed with her and I think she's amazing.
Every woman, whoever she is, wherever she lives, should be able to give birth without the fear she's going to lose her baby or that her baby will lose her mother.
She sits down and puts her hand to her chest and rocks. Thinks of all she has lost and will lose. All she has had and will have. It seems to her that life is like gathering berries into an apron with a hole. Why do we keep on? Because the berries are beautiful, and we must eat to survive. We catch what we can. We walk past what we lose for the promise of more, just ahead.
But I'd do it again. I know that now. I'd make that promise a thousand times over and lose her a thousand times over to have heard her play last night or to see her in the morning sunlight. Or even without that. Just to know that she's somewhere out there. Alive.
Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.
We are bound to lose Ireland in consequence of years of cruelty, stupidity and misgovernment and I would rather lose her as a friend than as a foe.
My mom's one of the toughest ladies I know. I've seen her lose both her brothers, both her parents. She's been through a lot, and to see her get up every day and put a smile on her face, that shows nothing but strength.
Lose no time to contradict her, Nor endeavor to convict her; Only take this rule along, Always to advise her wrong, And reprove her when she's right; She may then grow wise for spite.
He was demanding. He always would be. But sometimes, he was so vulnerable and she realized she had power in the relationship as well. She hadn’t expected that. He was as vulnerable to her as she was to him. He just acted arrogant and bossy, but deep down, where it counted, he didn’t want to lose her either.
Somewhere, within her, in a deep recess, crouched discontent. She began to lose confidence in the fullness of her life, the glow began to fade from her conception of it. As the days multiplied, her need of something, something vaguely familiar, but which she could not put a name to and hold for definite examination, became almost intolerable. She went through moments of overwhelming anguish. She felt shut in, trapped.
When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long time—the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes—when there's a particular missing part that overwhelms you with the feeling that she's gone, forever—there comes another day, and another specifically missing part.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
She didn't want to disrupt her family. She didn't want to lose her family; she didn't want to hurt her children. She struggled. It was a lifelong struggle for her, being in Bruce Jenner's body.
She wondered if literature might lose some of its interest when she reached an age or state of mind where her life was set on such a sure course that the things she read might stop seeming so powerfully like alternate directions for her being.
I do plead with the mothers of Zion to undertake modesty in dress. We may like to follow the fashion, but let us follow it in modesty. The most precious thing that a girl has is her modesty and if she preserves this in dress, in speech, in action, it will arm, and protect her as nothing else will. But let her lose her modesty, and she becomes a victim of those who pursue her, as the hare is of the hound; and she will not be able to stand unless she preserves her modesty.
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