A Quote by Lynsey Addario
For me, taking photographs is such a tortured process. I'm always feeling like I'm not getting enough: I'm in the wrong place, the light isn't good, the subject's not comfortable.
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I find that I'm not as worried anymore about what other people think. That's a comfortable place to be. And I'm starting to let go of the feeling that I need to push myself to do things I don't want to do - an impulse that has always been linked to the feeling that I'm not enough.
Most musicians I know don't just play music on Saturday night. They play music every day. They are always fiddling around, letting the notes lead them from one place to another. Taking still photographs is like that. It is a generative process. It pulls you along.
The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus.
I think the key to being a journalist is getting your subject to feel comfortable enough to talk about stuff they want to talk about and the stuff they like and don't like, and still feel comfortable about it.
Our earlier lives aren't wrong, they are just pre-construction. Our lives are meant to unfold, to evolve, and that's good. The only wrong thing, perhaps, is permanently hesitating on the verge of courage, which would prevent this process from taking place.
I have to always make sure I don't stay in one place and spend too much time one subject. I have my wife tell me [through an earpiece], "Come back! You're taking too long on that subject." I need to be reeled in.
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs. Furthermore, a good photographer does not merely document, he probes the subject, he 'uncovers' it.
All photographs are about light. The great majority of photographs record light as a way of describing objects in space. A few photographs are less about objects and more about the space that contains them. Still fewer photographs are about light itself.
I love photographs. I love taking photographs. When I see something that's great, I want to capture that. You put it out there and on a place like Instagram you can put it there and review it later.
The process must be concealed from - non-existent for - the photographer, who by definition need think of the art in the taking and not in the making photographs... In short, all that should be necessary to get a good picture is to take a good picture.
A good print is really essential. I want to take strong documentary photographs that are as good technically as any of the best technical photographs, and as creative as any of the best fine-art photographs. [...] I don't want to just be a photo essayist; I'm more interested in single images...ones that I feel are good enough to stand on their own.
The staging for 'Monsters' is all about me getting free. In the beginning I'm like tied, in a dark place... until I am scared no more, and I'm taking the lead of my life, I'm being the queen of my life, I'm ruling the world! In the end I'm taking a risk, but I'm taking the leap of faith.
I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation.
I like L.A. because of the light. The light makes me feel so good. It's really beautiful. And there's something about L.A. being so spread out that gives you a feeling of freedom. Light and freedom.
I was feeling like I'd been born in the wrong place at the wrong time with the wrong people. I don't believe that anymore, not coincidentally two years after writing Eileen. I think that was the driving curiosity for me, thinking about real and fictional characters who could respond to that problem.
Happiness can seem like an abstract, transcendent notion, but in fact, I found that getting enough sleep (very important!!), getting exercise, not letting myself get too hungry, not letting myself get too cold (I'm a person who is always cold), made a big difference. Partly because I felt happier, partly because feeling physically comfortable makes it easier to keep other difficult happiness-boosting resolutions like biting my tongue.
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