A Quote by Lyonel Feininger

Where I used to strive for movement and restlessness I now attempt to sense and express the complete total calm of objects and the surrounding air. — © Lyonel Feininger
Where I used to strive for movement and restlessness I now attempt to sense and express the complete total calm of objects and the surrounding air.
Ego is the movement of the mind toward objects of perception in the form of grasping, and away from objects in the form of aversion. This fundamentally is all the ego is. This movement of grasping and aversion gives rise to a sense of a separate 'me,' and in turn the sense of 'me' strengthens itself this way.
As sounds in a musical composition can be used not to express physical objects but ideas, emotions, harmonies, rhythmic orders and most any expression of the human mind and spirit, so light can be used visually to express the mind and spirit.
Our nature lies in movement; complete calm is death.
From now on you must strive to cut out unnecessary movement. Waste in movement is wrong and will get you killed.
Religion is rather the attempt to express the complete reality of goodness through every aspect of our being.
The reality is I'm kind of like an ocean. Everything is calm, calm, calm. I'm good. When the ball goes up in the air, the waves start rocking.
Man's restlessness makes him strive.
Victory, speedy and complete, awaits the side which first employs air power as it should be employed. Germany, entangled in the meshes of vast land campaigns, cannot now disengage her air power for a strategically proper application. She missed victory through air power by a hair's breadth in 1940. . . . We ourselves are now at the crossroads.
You have everything you need for complete peace and total happiness right now.
It is not the natural movement of film that gives the objects their expression, but the artistic movement, that is to say, a rhythmical movement regulated by itself in which variations and pulsations form a part of the artistic design.
With my work I attempt to help man to overcome his alienation; I do this by surrounding his daily life with objects, which confront him in a tactile way with the final and deepest problems of our existence. I want the means that I employ to create the necessary stimulus to be as direct as possible. Instead of giving a sermon on humility, I often prefer to depict humility itself.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
The Now is indivisible. Completeness, the now, is an absence of the conscious mind to strive to divide that which is indivisible. For once the completeness of things is taken apart it is no longer complete.
My body can't demonstrate. It isn't willing to explore movements the way it used to. I've always had to find the movement in myself then show it in myself. If I've got the sense of movement for the character, I expect the dancer to get it too.
My dancing is not an attempt to interpret life in the literary sense. It is an affirmation of life through movement.
Buying found objects means repurposing something that was already made years before, sometimes decades before. It strikes a nice balance between the new and used equation we should strive for in our lives.
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