A Quote by Lyoto Machida
The way I stand and my posture really complicates my opponents; they don't understand it and don't know what to do about. The way I stand there in front of them really throws them off.
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It's all about technique. Rotisserie sounds simple, but to really do it the right way is important so you can get really great products and let them stand on their own.
It's a long haul bringing up our children to be good; you have to keep doing that — bring them up — and that means bringing things up with them: Asking, telling, sounding them out, sounding off yourself — finding, through experience, your own words, your own way of putting them together. You have to learn where you stand, and make sure your kids learn [where you stand], understand why, and soon, you hope, they'll be standing there beside you, with you.
When I stand up in front of groups of people who agree with me, I know I have to really step my game up because I can't just sort of meet them where they're at; I have to take them somewhere else. They want you to challenge them and have good ideas.
It also comes down to parenting. It is important to know what your beliefs are, and that you have to stand up for them or you don't really believe in them. You know, my father and mother - in fact, every member of my immediate family - have worked for the federal government. Sometimes misunderstood is that I didn't stand up to overthrow the system.
The most important thing is posture: when you get old, it's the way you walk, the way you stand, that shows it.
You know, I’ve had a really wonderful night tonight. I got to tell Kyrian and Julian that Valerius is in town and spent, oh I don’t know, three, four hours trying to keep them from going after the Roman. Then, just when I could relax and do my job, I find out there are Daimons in the swamp and no Talon to kill them. And why wasn’t Talon here? Because Tarzan was swinging off a balcony to save Jane from Cheetah. Now all I can do is stand here and say, next fiasco, please, right this way. (Acheron)
When you're a stand-up, you play in front of 600 people, and it's all about timing. I could never do stand-up comedy; it would be way too hard for me.
If we don't fight hard enough for the things we stand for, at some point we have to recognize that we don't really stand for them.
The people we helped in the field, they know what the legacy is. The 40% or so of Americans that really can't stand the name of Blackwater, that's fine, I'll never really win them over anyway. And I really don't care.
We have to understand how the extremists got the way they are. Without that kind of understanding, we'd never really get to know them. I put in nothing about their childhoods. But what I have put in is stuff about the weird symbiotic relationship between us and them.
I have a hard time taking myself seriously. My band the New Pornographers doesn't take me seriously, which is why I love them. We can't stand up there and pretend. What we're doing is really important to me and it's my job and I love it, but I can't just stand there unflinchingly noble in front of the audience.
It's hurting Democrats if you do really go profoundly negative in the primary. Most of them don't. They actually realize the most effective use of their money is to make sure they stand out in front of the voters and the voters understand their story.
I would much rather fight pride than vanity, because pride has a stand-up way of fighting. You know where it is. It throws its black shadow on you, and you are not at a loss where to strike. But vanity is that delusive, that insectiferous, that multiplied feeling, and men that fight vanities are like men that fight midges and butterflies. It is easier to chase them than to hit them.
When you wear the costumes in a period drama, you already feel like a different person - the clothes make you stand differently, change your posture, the way you walk. You really have to have stamina - you have two hours in hair and makeup, and then another hour to remove all that.
As an actor, you never really set out to be a stand-out character. You just want to do justice to the story and enjoy playing it, and find all the different nooks and crannies of who someone is. For each part that you get, they're all special and you just try to give everything you can to each one. I don't know whether they're going to be stand out in that way or not factors into my work. They all stand out for me.
I think that I'm still very enthusiastic about every single thing that I do. I'm still very passionate. I never feel tired because I feel so involved and so com- mitted, so I enjoy it. And you know what? I have a lot of irony. I love the humor, and when I really, really want to just say, "You know what? I can't stand all this," I find an ironical way. I say, "You know, maybe you presume to be more intelligent than you are." So I respond in a more humoristic way.
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