A Quote by Lyriq Bent
It's a very organic feeling to have something really speak to you and kind of lay out the blueprint for you.
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Very often at the end of 'The Sopranos' you get the feeling that its not under control, you should be very worried, and life is kind of really, really messed up at lot of times. It leaves you feeling very disconcerted. That was kind of the point of it.
The forms in intellect are some kind of blueprint or model on which the physical world is based, and something needs to come along and shape the matter in accordance with that blueprint. What does that is soul.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
When you have something on your mind that you really have coming out of your brain... just talking to the beat, it's pretty easy and it's a natural feeling and at this point in my career. That's what I'm going for, I just want things to be organic.
I think in L.A., in terms of the music scene, it's a really strange place. It's really hard to get the feeling that something's happening, or the feeling that something can make it out of there.
So I really love this very difficult feeling of being completely out at sea. I don't know what I'm doing, and I kind of like this feeling. So I think for the moment, I'm going to continue to try and nail film down in some sort of shape where I'm happy with it.
I don't really reach out, it has to be organic. If we're in a studio setting and we're feeling the vibe, that's cool, we can make something. Like, I've been in a bunch of sessions with people I haven't made music with. Like, I just chill. I'm not forcing it. I don't DM people like, 'Yooo, I'm trying to get on a track.'
I have always had the feeling that organic chemistry is a very peculiar science, that organic chemists are unlike other men, and there are few occupations that give more satisfactions [sic] than masterly experimentation along the old lines of this highly specialised science.
The problem with the screenplay is that it's not literature, and it's not a film. It's a very weird, technical kind of blueprint that will be absolutely transformed into something else that is not that, you know? Honestly, a screenplay is no literature.
With acting, I'm taking somebody else's work and interpreting it. Whereas with music, it's organic. It's completely myself. Nobody else is really involved with the beginning stages of it. Art is something that I haven't really put out to the public. There's a couple pictures on MySpace, but I haven't done a gallery opening or anything like that. Art is very personal to me. I haven't really shared it with too many people.
When I can afford it, I'm very into organic food and I love going to restaurants that use organic produce and such. I think that it's a shame for everyone that, unfortunately, organic can be pretty expensive, so you just do what you can.
When you open your mouth to speak, you reveal a great deal. The words you use and the way you speak are like a blueprint of who you are deep inside.
It's nice to not feel like you're just re-enacting a preconceived moment, but there's room for an organic feeling to develop while the camera is rolling. Even amidst these enormous technical productions, Chris [ Nolan] always prioritized making sure that sort of spontaneous and organic feeling could happen at the moment.
When you are playing with someone who really has something to say, even though they may be otherwise quite different in style, there’s one thing that remains constant. And that is the tension of the experience, that electricity, that kind of feeling that is a lift sort of feeling. No matter where it happens, you know when that feeling comes upon you, and it makes you feel happy.
Every time I create something, just before that there's a kind of - you're feeling very low, you're feeling very down and insecure. Then you create and then it's fine. This is the way I observe me doing it.
I can safely speak for Melissa when I say both of our plans when we moved to L.A. was probably very similar, which was, 'If I can make any kind of a living doing something I really enjoy, then, hooray.'
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