A Quote by Lysa TerKeurst

Don't put the whole of your identity into the smallness of a situation. — © Lysa TerKeurst
Don't put the whole of your identity into the smallness of a situation.
My whole thing with the whole weight situation is - it is what it is. It's never been my identity.
Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
I've spent my whole career trying to stay out of any box that anyone could put me in. 'I'm going to do a play now.' 'Now I'll do a musical.' That was my instinct. So I don't feel boxed in. But 'African-American woman' is part of my identity. I don't want to relinquish that - especially as a mother, helping my daughter find her identity.
It's hard enough to be a middle-school kid, because you're dealing with so many facets of your identity - you're changing socially, you're changing physically, you're changing emotionally, everything is in flux, and to put race on top of that as well and have to figure out your racial identity is extremely hard.
My whole identity is not gender. My whole identity is not talking about gender. There are so many other things in my life that are fulfilling that I like to think about too.
I thought I was done making CIA movies after 'The Bourne Identity.' I really had used my father's work in Iran-Contra on 'The Bourne Identity.' You get one experience like that in your life where you have personal exposure to something, and you put it in a movie. That's it.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
When you come into a pre-existing situation, you gotta have your own thing going. You gotta be really strong about it, and you gotta look at the older material in an aggressive way - 'I'm gonna make this mine somehow.' You need to put your imprint on the situation that you're in.
In my early shows, I wanted to put myself through a new childhood, disintegrating my whole identity to let the real one emerge.
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
This is the best message that I have been responsibly for it. This will help you, A, find your identity. Because you can never overcome life issues. You'll never overcome your condition without knowing your position. So identity. Significance comes out of identity, meaning life's purpose, your why in life. But the great thing is this book ['You are all that'] is so practical.
I always think about race as a part of one's identity, not the whole of one's identity. You don't want it to be the defining characteristic of a character. There has to be more.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
When you read a book as a child, it becomes a part of your identity in a way that no other reading in your whole life does.
What do you do when your entire identity is destroyed in an instant? How do you cope when your whole life story turns out to bw wrong?
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