A Quote by Lytton Strachey
In the literature of France Moliere occupies the same kind of position as Cervantes in that of Spain, Dante in that of Italy, and Shakespeare in that of England. His glory is more than national - it is universal.
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Financially, it's true that France does not have the same pulling power as England, Spain or Italy. But this is not the aspect that matters most to me.
If you play in France, Spain or Italy it is not the same football, especially when you play in England. Every game is very difficult.
There is something frightful in being required to enjoy and appreciate all masterpieces; to read with equal relish Milton, and Dante, and Calderon, and Goethe, and Homer, and Scott, and Voltaire, and Wordsworth, and Cervantes, and Molière, and Swift.
Though [Abraham Lincoln] never would travel to Europe, he went with Shakespeare's kings to Merry England; he went with Lord Byron poetry to Spain and Portugal. Literature allowed him to transcend his surroundings.
With my quality, I feel I can bring a lot to a team that I will join. I want to show it in the big leagues: England, Italy, Spain, Germany, and France.
If you want to make your mark as a footballer, you think England, Germany, Italy, Spain. Maybe France or Holland. But not China, not the Middle East.
The point about sales is relevant because it suggests there are cultures out there that are supporting and consuming, on a vast scale, challenging works of literature. Works of literature that in the United States would sell only a few thousand copies, if they managed to find a publisher at all. The success of these texts in Spain or Italy or wherever contributes to a kind of national conversation that we're perhaps not having here in the U.S.
Dostoyevsky wrote of the unconscious as if it were conscious; that is in reality the reason why his characters seem 'pathological', while they are only visualized more clearly than any other figures in imaginative literature... He was in the rank in which we set Dante, Shakespeare and Goethe.
If you read the story of slavery and see the part that the Uncle Tom played in the plantation, and then you see how the white man today has changed his tactics, but he still occupies the same position, in that same context you find Uncle Tom. He has changed his tactics but he still occupies the same position.
You can be a manager in Spain, France or Italy but when you come to England the intensity is totally different. It is about the fight, the spirit. The intensity is extremely difficult.
There was interest from clubs in Italy and England, I believe. But I've never been attracted by the way they play in Italy. Staying in Spain was always my preference.
I have always considered it a beautiful metaphor that Cervantes had no fixed address in Spain. He is thus everywhere and nowhere. There are a number of sites connected with his life, but none attract hordes of travellers the way Stratford-upon-Avon and the Globe Theatre in London draw Shakespeare aficionados.
English is, from my point of view as an Americanist, an ethnicity. And English literature should be studied in Comparative Literature. And American literature should be a discipline, certainly growing from England and France, Germany, Spain, Denmark, and the Native traditions, particularly because those helped form the American canon. Those are our backgrounds. And then we'd be doing it the way it ought to be done. And someday I hope that it will be.
But the more I read... after awhile... I begin to find they were all writing about the same thing, this same dull old here-today-gone-tomorrow scene... Shakespeare, Milton, Matthew Arnold, even Baudelaire, even this cat whoever he was that wrote Beowulf... the same scene for the same reasons and to the same end, whether it was Dante with his pit or Baudelaire with his pot... the same dull old scene...
We have the talent, just not the money and not the audience. People in France don't really like fantasy. You need to go to Spain, England and Germany for that. Many of the people from my crew come either from Spain or England. But I hope to be able to work with them again and I wish to create European cinema on that scale. It could happen and attitudes may be changing. Animated fantasy movie Despicable Me was made entirely in France, so there is the talent here and now maybe the desire too.
We cannot deny that 80 or even 90 percent of the spiritual treasures from the past 3,000 years have come from Europe. There is no other Greek theatre anywhere else in the world. There is no other Shakespeare, Dante or Cervantes.
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