A Quote by Lzzy Hale
I've been in the songwriting circuit as well. I've been in a couple writing camps where there are seven top writers or whatever, and they're writing songs for a young girl or a young guy that are coming up, and they're kind of nuts.
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I've been writing songs since I was like six or seven. I've been writing poetry and short stories and stuff, but my first serious, serious song, I wrote when I was fourteen.
I have always been musically inclined, whether it's been playing the santoor from a young age or writing poetry that has now evolved into songwriting. So, I wouldn't really call it a focus shift, but just pursuing a career path I am passionate about.
My parents' example of a loving, caring relationship, I think, has affected my songwriting a ton and allowed me to start writing love songs that people could connect to without sounding like you're being cheesy, because they're coming from a real place, something that I saw coming up. I think they're a huge influence on my songwriting.
I started writing my first book for young people when I was in college. I was only a couple of years out of my teens when I began; I felt closer to that experience than I did as an adult. But I've always been drawn to stories about young people.
With writing music and writing songs and recording music and coming up with stuff, you need to kind of reengage that kind of inner child to come up with interesting perceptions.
I wrote 'Happy Man' with a couple of boys of mine. I have been writing in Nashville for a long time. Of course I was writing songs back in Oklahoma when I was a kid.
I have been writing songs and poems since I was a little girl. I started writing short scripts, which evolved into the idea for a book.
I had some bad jobs when I was young. Writing is not one of them. If you're fortunate enough to reach my age, to still be writing, you have to be grateful, and I am. I've been lucky. For many years, all I've done is writing, and it's all I've ever wanted to do.
For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
Neil Young does throw in a major seven chord here and there, so if you're a new guitar player learning Neil Young songs, you'll learn some seven chords, and some different positions. Nothing too complicated, just enough to kind of open up your knowledge a little bit.
I'm more of a songwriter. I love writing songs. I love writing my songs. It's always been writing for me, and it makes it different when you're writing for yourself.
When I've taught writing to five, six, and seven year olds, it's not very different than talking to an adult writer. They're writers then, and when they get to be young teenagers they're not anymore. You might go and talk to them about writing, and they'll be very self-conscious or will have detached themselves from the group.
I've been writing, but I haven't been writing. In my mind I've been saying I want to write, but I haven't actually physically picked up a pencil and started writing.
Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
Outlining is not writing. Coming up with ideas is not writing. Researching is not writing. Creating characters is not writing. Only writing is writing.
It's true that the young who now flock to script writing, or producing and directing, to fulfill the demands of these new devices would, in an earlier period, have been submitting to magazines and working on their first novels. But even in the midst of all these "digital products," the wonder of it is that there are still so many young writers who continue to believe in the venerable print novel as the corridor to fame and fortune.
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