A Quote by Lzzy Hale
It's funny: I've seen a lot of the rock attitude come into play in the rap world, where it's like they're angry, or there's this defiance going on, and there's a lot of danger, and it's actually really encouraging; they're opening the door for us to kind of move on in again.
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The world's going to respect us again and they don't now. A lot of that has to do with the leader. And a lot of it has to do with leadership. But our country is going to be respected again and we are going to make America great again.
I didn't really know what to expect, but I thought there aren't a lot of rap groups that can say they have a documentary done about them, so my attitude was like, 'Shoot, why not?' I'm sure there are a lot of people that would like to take our place. I felt like we should all embrace it.
That was our first major tour and we got a chance to play in front of like 5000 people every day so it was like a Rock and Roll boot camp for us really, we learned a lot and made a lot of good friends.
The sets on 'Defiance' are incredible. I've never really seen a set like this, where the world is so built around us. There's not too much left for us to have to imagine.
People think that the government honors and respects us, and that they're actually going to come in and help people in need, but in reality it's really just a bunch of red tape, and through the power of language they can really make it seem like they're going to do a lot when they aren't going to do anything but filter money back into their own pockets.
I always thought that feminine, softer side was just too vulnerable to put out there, because then it's like you're opening up a door for everybody to come in, and you don't know who's going to come in that door.
I think, on the rap side of life, I've always been inspired by and respected Missy Elliott for a long time. She's funny and created an image for herself that was non-sexualized but was really interesting and really cool and really kind of avant-garde in a lot of ways.
'Silence Kid' starts with a broken classic-rock intro. It's funny to hear us do that. Obviously, we weren't skillful rock stars. Then it's spinning through a lot of hooks really fast, and all of a sudden, it's over.
The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'
When I lived in the city, I had learned to close my door against a lot of the noise, but when I open my door here, I'm not opening into the possibility that I'm going to run into somebody or be faced with a hundred choices about what I'm going to do, or which cafe I'm going to go to, or which way to distract myself.
I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won't come from conscious rap.
There are so many things happening nowadays that you've seen in films from years ago, like cloning and all of those things are actually happening now, so we can kind of visualize it a lot more, and I think our generation particularly know that we're going to be a big part of that, we we're kind of fascinated with how human beings will fare in the world.
It's just rock and roll. A lot of times we get criticized for it. A lot of music papers come out with: 'When are they going to stop playing these three chords?' If you believe you shouldn't play just three chords it's pretty silly on their part. To us, the simpler a song is, the better, 'cause it's more in line with what the person on the street is.
I was really looking forward to doing the thing that I do - I basically appear just at the beginning and at the end of the 'The Glory of the World' play - but when I got to opening night, I started to get really sad that that was the last time I was going to see the play as a spectator without actually being in it.
It's a funny thing, I think people meet us and they assume that we know a lot more about politics than we actually do. People will really get into it. I'm like, I don't really know a lot about tariff reform or export trade reform. That's really not something I know about.
These guitar institutes and things like that, I think they take away people's identity and they're actually encouraging a lot of people to play who are not naturally good players anyway, but they're telling people that anyone can learn to play.
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