A Quote by M. C. Escher
I believe that producing pictures, as I do, is almost solely a question of wanting so very much to do it well.
Related Quotes
The UTV/Disney fit works because UTV Motion Pictures was already very strong in producing and creating its own films beyond just co-producing, acquiring or distributing titles.
I don't question things that go against what I believe very much. But boy, the stuff that I really want to believe, I really question a lot.
Because of climate changes, it's not just a question of producing energy. It's a question of producing energy in a way that we can live with in the long term. If you look at the available pieces, from conservation to nuclear, solar, whatever, and you put them all together, we can't do it.
Taking good pictures is easy. Making very good pictures is difficult. Making great pictures is almost impossible
It is easy to take good pictures, difficult to take very good pictures, and almost impossible to take
great pictures.
I don't know necessarily that I would produce under my own company right now. Producing is not something that I'm thinking about. Directing is something that I will be doing very shortly, trying to figure out what to get my hands on. And I can't imagine writing a script and wanting to direct it and not having a producing credit, because I would want to have a big chunk of power on that end, if I wrote something.
It's very much a character-based play. Conor's writing is almost musical and paints pictures at the same time. It's a joy as an actor to be able to say the words. It's very conversational but at the same time, tells a story.
My transition from wanting to be a cartoonist to wanting to be a writer may have come about through that friendly opposition, that even-handed pairing, of pictures and words.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
All I know for sure is that dreams are the pictures of states wanting to turn into processes. Dreams are maps of the beginning of an otherwise unchartered trip into the unknown. They are pictures of the unknown which appear in many channels. Because process work is body-oriented, I put a stress upon feelings, but dreams are not pictures of just feelings; they are pictures of the way the unknown is showing itself in a given moment.
There's a difference between wanting to be respected and being a strong female and being known for being able to do things, but still very much wanting guys to open the door, wanting them to ask us out, still bringing flowers and stuff like that.
All these questions about do you want to be king? It's not a question of wanting to be, it's something I was born into and it's my duty. . . . Wanting is not the right word. But those stories about me not wanting to be king are all wrong.
I like to question cultural biases wherever I go, and I question Islamophobia as much as I question anti-western sentiment because I think all extremist ideologies are very similar.
TV depends very much on the pictures that you see on your television, and all the other things that come up on the screen, whether it be GFX, the studio or the pictures of the game.
Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
In some ways, to believe in evolution is almost like a following; a cult following - if you don't believe in evolution, you're considered completely backward. That seems to me very indicative of bias as well.
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