A Quote by M. C. Escher
I am always wandering around in enigmas. There are young people who constantly come to tell me: you, too, are making Op Art. I haven't the slightest idea what that is, Op Art. I've been doing this work for thirty years now.
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I can tell you that there are lots of ways for people to express their views and their disagreements. For me, the idea of doing it through an anonymous op-ed is about the furthest thing from my mind.
In 1962, we created the Filmmakers' Co-Op because nobody wanted to distribute our films. If we had the Internet in those days, we wouldn't have needed the Co-Op.
The transgender movement even divides itself up by gender, as many folks stick with their same trans-genders (female-to-male or male-to-female). Additionally, the movement gets strangely subdivided among, for example, male cross-dressers, sissy boys, butch women, femme dykes, drag kings, drag queens, transvestites, intersexed, transsexuals (post-op, pre-op, and non-op).
I'm making some of the greatest art being made now. It'll take the art world ten years to get around to it.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
It started when I moved into a vegetarian co-op back in the '70s, and that's really when I had my food consciousness awakened. I learned how to cook, and eventually I became the food buyer for the entire co-op. Not long after that, I went to work for a small natural food store in Austin, and I became very excited and passionate about it.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
Dave Chappelle is about as gifted as it gets, as a performer and comedian. [...] It's always great to watch him work. He started around fourteen and he's in his forties now, so he's probably been doing it for close to thirty years. He's brilliant.
I have been with the Art of Living for around four years. Now, I have started taking classes, too. It has taught me to be patient and achieve a state of peace.
I think that the first point to be made is there is no "solution" in Afghanistan. Solution I put in quotes. We live in an op-ed culture, which is to say, you always need to have a solution. The last third of that op-ed piece needs to say, "Do this, this, this and this." There is no this, this, this, and this, that will make Afghanistan right.
American television constantly tries to co-op British comedy and create their own version of it. Most of the time it doesn't work; obviously, in the case of 'The Office,' it did. But a lot of times, it doesn't really work.
The Pop art I wound up doing came to me purely from 'Mad' comics. I loved the idea of doing fun stuff. I met an art dealer who wanted to show the work - that was in January 1962 - and that was the beginning for me.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
I realized that what I was looking for was doing collaborations with other people - people who can play a ballad, rock, jazz. I was looking for more co-op type things than what I had been doing, which had been completely my own trip.
I don't think that there's a guy behind the desk at every newspaper saying "No, woman" and sending her on her way, but that's what's systemic about it, right, like that people don't quite realize that maybe they're attracted to a male op-ed more than a female op-ed, or because of networking they know this person from going out to a bar with them.
We are probably the only artists in the world who have a 2,000-page book on a work of art that doesn't exist. But in this way, these projects reveal their identity through this whole process. When I'm starting, I only have the slightest idea of how the work of art will exist.
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