A Quote by M. Emmet Walsh

You know how you can tell that you're getting really old?  Nobody says the word 'death' around you anymore. — © M. Emmet Walsh
You know how you can tell that you're getting really old? Nobody says the word 'death' around you anymore.
A guy says, I'm so old that I forgot how old I am. An old woman says, I'll tell you how old you are. Take off your clothes and bend over. The man does this. The woman says, You're seventy four. The man says, How can you tell? The woman says, You told me yesterday.
I live in reality, and I know at any moment I could stop getting the phone calls and nobody wants to hear me sing or tell jokes anymore.
I'm Nobody! Who are you? Are you – Nobody – too? Then there's a pair of us? Don't tell! they'd advertise – you know! How dreary – to be – Somebody! How public – like a Frog – To tell one's name – the livelong June – To an admiring Bog!
You know you are getting old when people tell you how good you look.
People put barriers up in your path, and one of those barriers is age. They tell you, "You're too old. You don't photograph so well anymore." I know I don't photograph so well anymore, so what can I do? I can do something different, where it doesn't matter as much how I look.
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
When people tell me to do a clean show, I'm like, 'Guys, I don't even understand your thoughts anymore.' What, you can't say a curse word? Nobody thinks that way!
What else do I have to offer? Nothing happens to me anymore. That’s the reality of getting old, and I guess that’s really the crux of the matter. I’m not ready to be old yet.
You don't see me in Los Angeles a lot. I go back home. Because I can't play the game. I can't - my tolerance - I know I'm getting old; I'll be 50 this year. And you know how I know I'm getting old? 'Cause my tolerance level is low.
You can be an idiot and survive because you just go to McDonalds for your food, and you go to work and do some sort of inane job, which is nobody taking any responsibility - it's always up the line - and then you watch the Super Bowl, and that's it. But in the old days, you really had to know how your world works. You don't need that anymore.
In Delhi the cars are getting bigger and sleeker, the hotels are getting posher, the gates are getting higher, and the guards are no longer the old chowkidars, the watchmen, but they are fellows with guns. And yet the poor are packed into every crevice like lice in the city. People don't see that anymore. It's as if you shine a light very brightly in one place, the darkness deepens around.
Many people in a rather reckless context claim to 'just tell it like it is'. In actuality, nobody really stresses what one says so much as the motive behind what one says; hence, he is merely blowing hot air and detracting from 'what is'.
Mr. Blatchford says that there was not a Fall but a gradual rise. But the very word "rise" implies that you know toward what you are rising. Unless there is a standard you cannot tell whether you are rising or falling. But the main point is that the Fall like every other large path of Christianity is embodied in the common language talked on the top of an omnibus. Anybody might say, "Very few men are really Manly." Nobody would say, "Very few whales are really whaley."
But how he acts, and what he says, and what he does, and who he is, they don't line up anymore, and the lie is in that not lining up, the lie is in not being what she needs but pretending that he is. No one says a word, and she sees it every minute they have together.
What happens when she's not my memory anymore? What happens when she's not around to tell me about his belt leaving scars across my two-year-old brother's face or when he whacked her so hard that she lost her hearing for a week? Who'll be my memory?" Santangelo doesn't miss a beat. "I will. Ring me." "Same," Raffy says. I look at him. I can't even speak because if I do I know I'll cry but I smile and he knows what I'm thinking.
Once you've been somebody, really, you have a career and you're a nobody anymore, and you're getting older, you're living what's called a state of shame.
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