A Quote by M. G. Vassanji

To define [Canada] or its literature seems like putting a finger on Zeno's arrow: no sooner do you think you have done it than it has moved on. — © M. G. Vassanji
To define [Canada] or its literature seems like putting a finger on Zeno's arrow: no sooner do you think you have done it than it has moved on.
I remember how, in the corporate world, I always knew there was some higher position I could attain, which meant that, like Zeno's arrow, I was guaranteed never to arrive and always to remain dissatisfied.
As always, things happen sooner rather than later on 'Arrow.'
The US and Canada are now increasingly isolated in the hemisphere, and sooner or later, I think we're going to find that the US and Canada are simply excluded from hemispheric affairs. That's a sharp reversal of what was the case not long ago.
It was precisely this notion of infinite series which in the sixth century BC led the Greek philosopher Zeno to conclude that since an arrow shot towards a target first had to cover half the distance, and then half the remainder, and then half the remainder after that, and so on ad infinitum, the result was, as I will now demonstrate, that though an arrow is always approaching its target, it never quite gets there, and Saint Sebastian died of fright.
Planning is like "pointing yourself" in the direction of a target...no more than that. Let your power then redefine the target, and re-point you in the correct direction. Think of it like this: An arrow is never going to hit the target unless it's in flight. If you sit around and wait for God to shoot the arrow, nothing is going to happen.
I wouldn't presume to define noir - if we could define it, we wouldn't need to use a French word for it - but it seems to me it's more a way of looking at the world than what one sees.
I always think of shade as being full of light. That is why I like to use the word shade rather than light and shadow. Shade seems to play over the thing, envelop it, better define it, while shadow seems to fall on the thing and stain the surface with darks.
Ever since I was little, when I moved to Canada, Canada has been my home.
If I'm not the one thing you can't stand to lose, If I'm not that arrow to the heart of you, If you don't get drunk on my kiss, If you think you can do better than this then I guess we're done. Let's not drag this on, Consider me gone.
I've been to Canada, and they love - oh my God, they love their stand-up comedy in Canada. I've been overseas to do shows for the troops all over the Middle East, and I actually went to China recently and did shows, not for the troops, but just for local Chinese people, and Americans that have moved there, and things like that. It was fantastic. They got it. They're way smarter than we give them credit for.
Everything is always on the table. I think it's one of the things that's made 'Arrow' special. But we also all collectively feel like 'The Flash' needs to stand on its own two feet, now that it's gotten its launch from 'Arrow.'
It seems to me that literature is giving way a little bit to the immediacy of other diversions, other forms of entertainment. What will it be in fifty years? I don't know. Will there be printed books? Probably, but I'm not sure. There's always going to be literature, though. I believe that. I think literature has a way of getting deep into people and being essential. Literature has its own powers.
Criticism precedes admiration and – like it or not – goes hand in hand with success. Keep pouring on the success, and sooner or later, the very same people who were putting you down will be admiring you for what you have done.
I was a very good tennis player in Ottawa, Canada - nationally ranked when I was, like, 13. Then I moved to Los Angeles when I was 15, and everyone in L.A. just killed me. I was pretty great in Canada. Not so much in Los Angeles.
Science fiction is hard to define because it is the literature of change and it changes while you are trying to define it.
Sooner or later, the ones who told you that this isn't the way it's done, the ones who found time to sneer, they will find someone else to hassle. Sooner or later, they stop pointing out how much hubris you've got, how you're not entitled to make a new thing, how you will certainly come to regret your choices. Sooner or later, your work speaks for itself. Outlasting the critics feels like it will take a very long time, but you're more patient than they are.
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