A Quote by M. J. Rose

Thriller novelists get asked - berated, sometimes - about whether their work glorifies bad behavior, even, exploits human tragedy for entertainment. — © M. J. Rose
Thriller novelists get asked - berated, sometimes - about whether their work glorifies bad behavior, even, exploits human tragedy for entertainment.
History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed.
When our embassy is attacked in Benghazi by terrorists and there is no response, you get more bad behavior. When Russia invades Ukraine and there is no response, you get more bad behavior. When Syria crosses the red line and there is no response, you get more bad behavior. When Iran launches tests of ballistic missiles and there is no response, you get more bad behavior. When North Korea attacks Sony Pictures and there is no response, you get more bad behavior. In other words, Mrs. Clinton, you cannot lead from behind. We must respond when we are attacked or provoked.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
I have been asked whether I would agree that the tragedy of the scientist is that he is able to bring about great advances in our knowledge, which mankind may then proceed to use for purposes of destruction. My answer is that this is not the tragedy of the scientist; it is the tragedy of mankind.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always liked bad behavior, I'm a fan of bad behavior, and I don't think you have to justify bad behavior.
I think that human beings, even the ones who are sometimes hurting you, are often very, very confused at their center. Even people who are doing things that are nefarious - it's often out of confusion. I know that it's tough to be a human whether you're good or bad. I'm acutely aware of that. If that comes through, then I'm really grateful.
Sometimes the issue is about whether families and communities think girls are even worthy of an education in the first place. It's about whether girls are valued only for their labor and reproductive capacities or for their minds as well. And it's about whether women are viewed as second-class citizens or as full human beings entitled to the same rights and opportunities as men.
I like to think that even with some of the more intense ones sometimes there is humour in there, you try to make a complete human being, whether the guy is good or bad.
I am urging Americans to be more careful about the kinds of media we support with our consumer spending. We've got to invest less in the media that glorifies violence and more in entertainment that lifts up the values of love, compassion, and the best in human nature.
I would say to any young black , if you get a job and you're asked to work 100%, then you work 125% and don't complain about it. The moment you complain about it, then you don't really want to work. Always do more than you're asked to do and you'll get far in life - and that applies to all youth.
One of the bad things about bad behavior by politicians (particularly by Donald Trump, because he's president, but by others as well) is that it not only can encourage bad behavior by politicians of all ideological stripes but also can be cited to justify it.
I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.
I just feel like we as a human race tend to fear that which we don't understand. It's cause for a lot of bad things and bad behavior to exist on the planet. Artists have a way of touching people and changing minds in a way that sometimes other mediums don't.
With 'Badlapur', I wasn't even thinking about casting. I was wondering whether any producer will want to make a film with a story like this. It is not your expected, feel-good, or even your regular thriller.
We are constantly consuming entertainment; we treat celebrities like role models and royalty. Sometimes destructive behavior gets ignored, or sometimes the pressure breaks them.
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