A Quote by M. J. Rose
If no one knows your book is out there, no one will think about buying it. It's as simple as that.
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No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
The thing about research is that there's no end. You constantly have this fear that an expert who knows more than you will call you out on some detail in your book.
Some day, as soon as a book is printed it will be simultaneously put into digital form. That will be a wonderful research tool, but it will never substitute for holding the book. I feel certain that at least within my lifetime, everyone will still be going to the bookstore and buying printed books. Thank God I'll die before I have to worry about whether the printed book itself will disappear. That's something I don't want to live to see.
My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.
If you tell lies about a product, you will be found out - either by the Government, which will prosecute you, or by the consumer, who will punish you by not buying your product a second time.
There are certain things that I'll hear about and that I think will make a great book and I put it in a file. Sometimes it's a situation that interests me, and I don't even realize what I'm trying to say about it until I get closer to it. Sometimes the book after that I've written 125 pages of, and I can tell you what the book is after that. I just sort of have a linear progression, but more than anything, the topics land in your lap. I don't feel that I go out searching for them.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
It's my hope that as you dip your toe into the Bible's story and viewpoint, you'll find yourself feeling that the Good Book knows more about the world - and about you - than any normal book does.
Gardening is like everything else in life, you get out of it as much as you put in. No one can make a garden by buying a few packets of seeds or doing an afternoon's weeding. You must love it, and then your love will be repaid a thousandfold, as every gardener knows.
I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.
The awesome part about The Book of Awesome is the realization that if you enjoy the simple moments in your life, you will be happier.
Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it.
Buying gold is just buying a put against the idiocy of the political cycle. It's that simple.
When you're making a print book in 2012, I actually think the onus is on you - and on your publisher - to make something that's worth buying in its physical edition.
When you read the book, you paint the picture but when you adapt a book then the audience will, by and large, say the book was better and every filmmaker knows this.
I think, oh my god, kids are reading, and they care about a book enough to come over and talk to me about a book that they care about. If I think about it as being a celebrity, it would freak me out. But I just think, lucky me, that I get to be a part of this whole thing.
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