A Quote by M. Jayachandran
But it can be tough for new composers as directors tend to block you out.
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It's good that Bollywood is changing and directors are trying out Pakistani singers as composers.
New Amsterdam Records, a new label run by composers, has begun documenting this hybrid music, with invigorating discs by the band itsnotyouitsme and the composers Corey Dargel and William Brittelle.
Ultimately, mentorship plays such a big role in breaking directors that successful male directors tend to reach the helping hand to guys who remind them of themselves. We need more women directors so they can reach out to girls who remind them of themselves.
I'm new to this TV thing, at least as an actor. It's a challenge. The thing I have to adjust to is the changing directors every week. That's new for me. I tend to establish with a director - and then two days later, he's gone.
Composers and lyricists are making songs that are approved by the producers and directors.
I'm not as savvy and knowledgable about all of the directors that are out there, but as a person, I'm really open-minded and love meeting new people and watching the way directors film and their perspectives and following their lead.
I grew up in Harlem, a block away from what was then the most crowded block in New York City, according to the 1950 census. Something like ten thousand people lived in one city block.
When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.
Singers are definitely getting their due in Bollywood. I feel that music composers, on the other hand, tend to lose out on the popularity, fame, and success that singers usually enjoy.
'Tough' meant it was an uncompromising image, something that came from your gut, out of instinct, raw, of the moment, something that couldn't be described in any other way. So it was tough. Tough to like, tough to see, tough to make, tough to understand. The tougher they were the more beautiful they became.
I tend to listen to the classical composers: Rachmaninov, Satie.
Our job as composers becomes easy when directors have a good knowledge of music and know exactly what they want.
You know, it's kind of a shame in a way but the more seasoned directors a lot of times have more difficult getting a job than first time guys. New kid on the block kind of thing.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
This is a tough game. There are times when you've got to play hurt, when you've got to block out the pain.
In my profession you have to be very strong within yourself in order to block out the rejection and block out the opinions and the commentary that happens.
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