A Quote by M. Jayachandran
I think the reason composers aren't valued is because many act as servants rather than music directors. Instead of taking a stand based on their convictions, they sway to the opinions of others.
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The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than the music.
Unfortunately, music devolved instead of evolved. The music business got into the hands of lawyers and accountants rather than the entrepreneurial creative people, and that's when the beginning of the end started. It's all based on money instead of art and creativity.
Republicans stand by their convictions. Stupid, ignorant, world-destroying convictions based on disproven economic fantasies and ancient books full of primitive morality and magic people. But convictions, nonetheless.
The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt - they meditate, protest, analyze, reason, calculate and brood, but they do not exalt.
I'm not really a fan of people who think they're better than others. There's no reason to act that way. I couldn't even stand to yell at someone if they bumped right into me.
Is there a gender gap in the music industry? It is true that there are more professional male music creators than female. For some reason, it's taking a lot longer in music than in literature and the visual arts to reach equilibrium. It was almost acceptable by the 19th century for female writers to be published, yet it's only in the last couple of decades, since about 1980, that historical female composers have really emerged.
But still as compared to many, many orchestras in the world, I think you find a lot more new music and living composers on our programs than many other places.
Politics is when people choose their words and actions based on how they want others to react rather than based on what they really think.
What is the reason that women servants ... have much lower wages than men servants ... when in fact our female house servants work much harder than the male?
I want young Indian composers to be able to do more than just film music. I want to give them the skills that will enable them to create their own palette of sounds instead of having to write formulaic music. It doesn't matter if they become sound engineers, producers, composers or performers - I want them to be as imaginative as they like.
A whole generation of veteran composers has never taken a stand or provided an example and has produced in the music academies generations of docile workers for the music industry. What can you expect from downtrodden workers who see music as a type of profession, like stenography, and not an act of creation that by its nature is subversive?
With recording, everything changed. The prospect of music being detachable from time and place meant that one could start to think of music as a part of one's furniture. It's an idea that many composers have felt reluctant about because it seemed to them to diminish the importance of music.
In the age of activism that is clearly not going away, it would seem that some form of engagement from directors with shareholders - rather than directors simply taking their cues from management - would go a long way toward helping boards work on behalf of all shareholders rather just the most vocal.
Instead of taking care to acquaint ourselves with others, we only think of making ourselves known to them. It would be better to listen to other people in order to become enlightened rather than to speak so as to shine in front of them.
I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
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