A Quote by M. Jayachandran

I pick voices suitable for a particular song rendition and for that, it doesn't matter where they hail from. — © M. Jayachandran
I pick voices suitable for a particular song rendition and for that, it doesn't matter where they hail from.
A bad rendition of you is better than a good rendition of somebody else.
Seven-11 is the pulse-beat of America. I think that Bruce Springsteen should do a song about a 7-11 in Asbury Park, New Jersey, but write it in such a way that American's youth can identify and slurp along with the Boss. Hail the Boss! Hail 7-11!
All my earlier awards were for a particular film or a song. Even the Oscar or the Grammy was for a particular song, but Dadasaheb Phalke is for my entire work so it is the biggest honor for me.
I have to be excited by a particular voice to consider it for a song. I am open to new voices. If I come across one that I like instinctively, then I would like to work with that singer.
Don Quixote was a song for a 1969 Michael Douglas movie called Hail Hero! I wrote the title song for the film and they also used the Don Quixote one I had submitted.
I am not against songs in films. We come from an oral tradition of storytelling. I have grown up listening to epics in oral rendition and oral rendition always had music.
Unless you're Barack Obama, you cannot pull off an impromptu a capella rendition of a heart-warming song in the middle of a speech.
When you listen to my music, you hear that there are all these voices going on in different parts of the song. That's because I was always around so many voices in church.
A lot of people have a particular song that, no matter their mood, turns them on. With me, it's Eleanor Rigby.
The many-voiced song of the river echoed softly. Siddhartha looked into the river and saw many pictures in the flowing water. The river's voice was sorrowful. It sang with yearning and sadness, flowing towards its goal ... Siddhartha was now listening intently...to this song of a thousand voices ... then the great song of a thousand voices consisted of one word: Om - Perfection ... From that hour Siddhartha ceased to fight against his destiny.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
I don't like it when people ask me what my favourite Beatles song is. I always get that. First of all, I don't like having to pick a favourite thing anyway. You can't pick a favourite Beatles song! What about "Strawberry Fields"? What about "Lucy In The Sky With Diamonds"? What about "Tomorrow Never Knows"? Come on. That question is small minded to think you could even have a favourite Beatles song.
If we were to use the success of 'Need You Now' as the barometer for every other song, then we'll probably be highly disappointed. That song will probably undoubtedly be the biggest song of our career. We can hopefully have success for 20 years, but we may not ever have the success of that one particular song again.
Farewell happy fields, Where joy forever dwells: Hail, horrors, hail.
Hail, hail rock and roll / Deliver me from the days of old.
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