A Quote by M. Scott Peck

But for the first time, I had a religious identity. I had come home. And so I called myself a Zen Buddhist at the age of 18. — © M. Scott Peck
But for the first time, I had a religious identity. I had come home. And so I called myself a Zen Buddhist at the age of 18.
And finally, be assured that Zen asks nothing even as it promises nothing. One can be a Protestant Zen Buddhist, a Catholic Zen Buddhist or a Jewish Zen Buddhist. Zen is a quiet thing. It listens.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
I had just been promoted to the first rugby team. It was a perfect, wonderful coming of age. My brother was already in the team, and my father had come to watch us. We went home, and my father died in front of me. Horribly, in about half an hour. He had a heart attack.
I never heard the gospel of Jesus Christ. I had never attended church, was never raised in a religious home, never had any insight of God or who he was until I was 18 years old.
The great achievement of Zen Buddhism, and all of its cultural expressions in painting or the tea ceremony or rock gardens, is a rejection of earlier Buddhist ideas which were dependent upon narrative - all the mythological creatures that populate the Buddhist galaxy. Zen insisted on the real located in nature.
By the time 1997 had rolled around, I had been in the music business for all my life, from the age of 15. I started recording professionally when I was 18. I had seen how record companies work, how the business works, and truth be told, I was pretty disgusted by everything by that time.
One day I saw a picture of the Buddha on a Buddhist magazine and he was sitting on the grass, and he was sitting on the grass, very peaceful, smiling, and I was impressed. Around me people were not like that, so I had the desire to be someone like him. I nourished that kind of desire until the age of sixteen, when I had the permission from my parents to go and ordain as a Buddhist monk.
I snap at people I love all the time, and that makes me feel bad about myself. I want to be Zen. I am so not Zen. Whatever Zen is, I'm the opposite of it.
I was under 18, and to leave Kenya to come to the United States, to get a passport, you had to be 18. So I lied and said I was 19 to get the passport, because otherwise, I had to have permission from my parents, and my parents would never have let me come.
When I first started producing, all I had was this little crappy sampler called a S20, which had, like, a minute sample time. I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job. I was a schoolteacher for a while, and it was the worst job.
In the early '60s there was very little reliable information on Tibetan Buddhism. I was living in London and I had joined the Buddhist Society. For the most part, people there were either interested in Theravada or Zen Buddhism. There was almost no one into Tibetan Buddhism at that time.
When I was 16 I took the first opportunity I had to play basketball in a different country. I flew to Europe for the first time and found myself in the small town of Macon, in France. That was the first time I lived far away from my people, from my culture. I was young and had to adapt quickly.
When I was 18 I went to college for two years and didn't work for a year which was essential for me, because my identity had been so influenced by my being an actor and I think I just needed to discover what it was to be myself, divorced from all that responsibility.
At 18 I began painting steadily fulltime and at age 20 had my first New York show at the Macbeth Gallery.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
It was the failures who had always won, but by the time they won they had come to be called successes.
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