A Quote by M. Shadows

We write when the time comes, and we try to be exciting, and stuff that excites us usually makes the record. — © M. Shadows
We write when the time comes, and we try to be exciting, and stuff that excites us usually makes the record.
When I hear a great new record, especially when it's by someone that I respect and admire, then a part of me is like, Why didn't I think of that? Why didn't I write that record? It makes you sick, but in a way it can be a great thing. It makes you want to go back to the lab and start writing again. Maybe it will inspire you to try a little harder.
I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.
To do an extreme metal record is something that is well within my capacity as a musician to write stuff out of the box, write stuff that's probably more extreme than the band I'm in at the present time, and it's something that needs to come out of me one way or another.
We were always in the shadows of the stuff that was getting more attention. So people learned to listen to us slowly over time. And, frankly, we learned how to listen to ourselves. It takes us a long time to write a song that we all really like, so it makes sense that it would take a while for the listener to get there, too.
The idea was that the record itself ['The Bones Of What You Believe' ] is a kind of labour of love for us - all our energy and all our passion and all the stuff we believed in is in that record, so you're kind of handing that off to other people, if that makes sense.
By the time you finish touring the record, everything that's exciting to me is what's ahead of me. I want to write the next paragraph.
What excites me is just taking some time to breathe in life. The mundane is very exciting.
The record label used to try and make us do stuff, like dance, and we'd say, nah, not doing that.
I try to write about the stuff that torments us all.
I think that I've just kind of found my niche, if that makes sense. I still write the same, but I feel like I've found what separates me, and I always try to stay in that when I write. It took me a long time to discover that, so I try to be protective.
I think that I've just kind of found my niche, if that makes sense. I still write the same, but I feel like I've found what separates me and I always try to stay in that when I write. It took me a long time to discover that, so I try to be protective.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
What I am out to do is make sure that the Met continues to be the most exciting encyclopedic museum in the world. I want to sustain the vibrancy that makes it exciting to work here, that makes it exciting for visitors. The art remains central.
What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat,’.... And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.
The biggest neurological turn-on for people is other people. This is what really excites us. In reward terms, it's not money; it's not being given cash - that's nice - it's doing stuff with our peers, watching us, collaborating with us.
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