A Quote by M. Shadows

I went to this vocal coach, Ron Anderson, who has worked with Axl Rose and Chris Cornell, to train my voice and learn a whole new way of singing. — © M. Shadows
I went to this vocal coach, Ron Anderson, who has worked with Axl Rose and Chris Cornell, to train my voice and learn a whole new way of singing.
I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.
I worked on my voice for 'Sweet Dreams' but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.
When I first started singing - before 'Treat Me Like Fire' when I was working with a vocal coach - I realized that I wasn't even breathing when I was singing.
It's pretty clear I am a diehard Chris Cornell fan, so his voice, musicianship, and lyrics have touched me across many different projects.
I get the whole thing, I can't talk about it. But they're talking and they got an offer. I hope Axl[Rose] can see the greater picture and not be mad at Duff [McKagan] and Slash.
Singing is a kind of sport and a singer a kind of athlete and following this model becoming "vocally fit" - building vocal muscles - should be the point of any form of voice teaching. Other approaches don't work directly on building vocal muscles but instead focus on so-called diaphragm support and breathing, mask singing, breath control, throat relaxation - all of which are useless at best and harmful at worst.
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
I can't hold a note. I tried a singing lesson, but my vocal coach kept giving me the stink eye.
For every new guy, you need to change a few things in the way you train, the way you take every fight. For every guy I train for, I prepare differently and learn new things, and I just keep them. That's why it's good to be fighting new people, because you add new things to your arsenal and keep getting better and better all the time.
I respect Bielsa a lot. For me, he is a special coach. I think the best coaches in the world work in different things, and a lot of coaches, we cannot train like Bielsa. It's difficult to train like Bielsa. But every coach can learn from different coaches. But with Bielsa, I think all coaches learn something from him.
He's (Feijao is) a different fighter than Anderson Silva so it doesn't matter that they train together. And I think I've improved a lot since I fought Anderson.
Jewish cantors employ a peculiar art and method of singing in their delivery. They are unexcelled in the art of covering the voice, picking up a new key, in the treatment of the ritual chant, and overcoming vocal difficulties that lie in the words rather than in the music.
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
Two of my biggest musical inspirations are Kurt Cobain and Chris Cornell.
Chris Cornell painted in song the darkness and beauty of life in Seattle.
But I don't really want to play with Axl Rose.
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