A Quote by M. Shadows

We always want to do covers, but we found it kind of boring to do covers of bands in our genre, and we were always asked to do those. — © M. Shadows
We always want to do covers, but we found it kind of boring to do covers of bands in our genre, and we were always asked to do those.
One of the reasons that DC, Marvel, and other comic book companies have always asked me to do covers and variant covers is because they know that when they tell me 'icon,' I jump over their words, and I give them an iconic cover - but while I'm doing it, there is going to be an idea there.
I have always felt that effect covers are very good covers. They bring you into the story if you pay attention to them.
Covers, so many covers, so many different, delectable pictures, and although, metaphorically speaking, it is the thing I hate most, when it comes to literature I always judge books by their covers. First the cover will catch my eye, then I read the back of the book, and then finally the first page.
I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
Adrenaline is wonderful. It covers pain. It covers dementia. It covers everything.
Alejandro Colucci has designed covers for my books that stand out, that catch the eye, and that make me, as a reader and consumer, want to know more about the books behind those covers.
I've always loved doing covers. Some artists don't like covers. Some listeners don't like covers. But I love them. It gives you a new perspective production-wise. It's easier for me, if I'm starting a new record, I like to produce a few songs that aren't mine just so it frees me up not to worry about it so much.
I was in band that played mostly covers for a while, and the bands that we would cover were, like, the alternative rock bands of that day: we did a Jane's Addiction song and a Faith No More song. All the kind of alternative radio of that time, the late '80s, basically.
If you've looked at all the glamour magazines lately, all the covers are actresses. If they are on those covers, they are going to try to emulate models. That's just the way it is.
I'm a fan of genre in the abstract, but at best, perhaps all we can really say when we talk about genre is that we're talking about an umbrella that covers a kind of story with certain elements.
When I was a street performer, before I had any songs of my own that anybody would stop and put in money for, I would always be doing covers. Even with covers, people wouldn't stop in the beginning.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
In those days I was new to covers; merely felt pleased that a story of mine had been honored. I later met Rogers who did some of my early covers and I was impressed with him.
'Glamour's always special to me; they gave me one of my first U.K. covers, and I was so excited when I found out I got a cover for it, so, I always, always have a special place in my heart for 'Glamour.'
When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.
I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
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