A Quote by M. Shadows
People want things now. People in the rock world seem to not want to give it to them - they want to keep doing things the old way - and one thing that has always bummed me out is when we get a single three months out, and then you have to keep getting fed with bread crumbs.
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I want to do roles that are fun and challenging and I want to try different things. I don't want to keep doing Monster's Ball over and over and over again. I want to keep doing my career the way that I was doing it before I won the Oscar.
It's so much in me to want to keep experimenting all the time. It's just inherent. Therefore I keep reaching for instruments I don't particularly know how to play, and then I become excited. That gives me energy to want to make new things, and it forces me to hear things in new ways, which then can only help to say things in a new way.
I figure if I keep my health, I have no intention of retiring. I love to work. I want to be like Bob Hope. I want to keep on going out and doing what I love to do. Of course, I'm no Bob Hope, but I mean that feeling that you never are old and have things to offer and can be useful to somebody. I always want to be useful, I have no intentions of retiring unless I should get sick or something should happen to my husband. Other than that I'm going to work until I fall over.
I don't have too many plans filled out. I know I want to keep doing more music. I've got a couple of albums worth of songs I'd like to put it out there. As far as movies, I just want to continue how I've been doing it: working with terrific people is certainly on my agenda, and then doing stories that interest me.
Most people tell you they want to get out of kindergarten, but don't believe them. Don't believe them! All they want you to do is to mend their broken toys. "Give me back my wife. Give me back my job. Give me back my money. Give me back my reputation, my success." This is what they want; they want their toys replaced. That's all. Even the best psychologist will tell you that, that people don't really want to be cured. What they want is relief; a cure is painful.
I don't want to get ahead at the expense of somebody else. I don't even want to be the center of attention - I mean, yes, I made the movie and I can do all these things, but I don't want to always keep being in the middle of it. I want to collaborate with people and be a part of a creative community. I don't know.
They do sometimes go crazy, these people, because the world is telling them not to want the things they want. It can seem saner to give up-But then one goes insane from giving up.
I always keep moments that were defining for me in my past and challenged me in my past - from getting evicted out of my apartment when I was 14 years old, to being cut from the CFL [Canadian Football League] and only having 7 bucks in my pocket, to bouts with depression - I keep moments like that very close to me because it continues to be great motivators for me. It helps keep me grounded, and it's a good reminder of how things work, and I never want to go back to that.
We've always kind of tried to keep the mystique. We don't wanna give everybody everything. You give 'em too much, it's just white noise. When we do say something, we want it to be an event. When we go out and do things, we want it to be an event and kind of keep everything else behind closed doors.
I think, as an artist, you want to keep going - you want to keep taking challenges; you want to be pushed, in a way - and I think Sonic Evolution does that, it makes me feel a little uncomfortable and get out of my comfort zone.
Books are surviving in this intense, fragmented, hyper-accelerated present, and my sense and hope is that things will slow down again and people will want more time for a contemplative life. There is no way people can keep up this pace. No one is happy. Two or three hours to read should not be an unattainable thing, although I hope we get to that stage without needing a corporate sponsored app to hold our hand. The utopian in me has my fingers crossed that we haven't quite figured out the digital future just yet. After all, the one thing we know about people: they always surprise.
To a certain degree, with a TV show, people are looking for a certain amount of familiarity. You don't want to pull the rug out, but you also want to keep things fresh and keep changing it up.
I want to keep growing as a writer. I find myself doing unexpected projects and sort of challenging my idea of where I am in my career, or what I'm supposed to be doing. In fact, I'm not supposed to be doing anything. Just finding projects that are challenging to me. I want to be a writer who keeps growing and figuring out new things and hopefully people will follow me along as I publish these things.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I remember when I was a kid, with the acting thing, I resented it because, you know, you don't want to do what your parents want you to do. You got your own things. And the whole idea of getting a job because of who your father is - that didn't feel right. But after a while I guess I figured I must be doing something right, because people wouldn't keep hiring me if I didn't have something to give.
I don't get too upset or bent out of shape from things that go on on the field. But I think that you always want to try to keep it classy. You don't want to do any stupid fouls, and sometimes - sometimes the game gets to you; people react differently.
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