A Quote by Ma Jian

If you exile a writer, however free the country he is sent to, there will always be a sense of internal constraint. — © Ma Jian
If you exile a writer, however free the country he is sent to, there will always be a sense of internal constraint.
Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.
In a certain sense, a writer is an exile, an outsider, always reporting on things, and it is part of his life to keep on the move. Travel is natural.
I have never considered myself a writer in exile because I grew up outside of my own country, because my father was a diplomat. Therefore, I grew up in Brazil, Chile, Argentina, the United States, I studied in Switzerland - so I've always had perspective on my country - I am thankful for that.
I think time is a constraint to destroy and then reinvent. If you give me a constraint, I'll accept it. But I always try to move it around, or to readapt it. Ecco! If you lock me in a room, well I'll go out through the window! I always remember Achille Castiglioni, one of my mentors, and he always said that in industrial design you have the idea, the fantasy, the concepts - that's the marmalade! - but the constraint of the brief is the bread. You need both in order to find structure for your ideas.
Well, I write in exile because I cannot return to my country, so I have no choice but to see myself as an exiled writer.
Exile is a dream of a glorious return. Exile is a vision of revolution: Elba, not St Helena. It is an endless paradox: looking forward by always looking back. The exile is a ball hurled high into the air.
The Jew is at once alienated and indestructible; he is in exile from his own country and in exile even from himself, yet he survives the annihilating fury of history.
The writer is always to some extent in exile, wherever he is, because he is somehow outside, separated from others; there is always a distance.
We have been discussing sin and the carnal nature from which disciples are getting free. However, we cannot get free by our own strength from these things. It takes our will to want to get free in order to please the Lord and be delivered from what is bringing so much death upon the world. However, we need God's grace and His power to live free of these things.
Every year of my life, my dad has sent me a Valentine's Day gift. Whether I was in the same house or across the country, he always sent something.
New Living Translation And work for the peace and prosperity of the city where I sent you into exile. Pray to the LORD for it, for its welfare will determine your welfare.
I'm Jewish. That's all. So I am in exile all the time. Wherever we go, we are in exile. Even in Israel, we are in exile.
I was writing everything. I grew up in Albany, New York, and I was never any farther west than Syracuse, and I wrote Westerns. I wrote tiny little slices of life, sent them off to The Sewanee Review, and they always sent them back. For the first 10 years I was published, I'd say, "I'm a writer disguised as a mystery writer." But then I look back, and well, maybe I'm a mystery writer. You tend to go where you're liked, so when the mysteries were being published, I did more of them.
Only the mind cannot be sent into exile.
They have exiled me now from their society and I am pleased, because humanity does not exile except the one whose noble spirit rebels against despotism and oppression. He who does not prefer exile to slavery is not free by any measure of freedom
Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.
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