A Quote by Ma Yansong
I grew up in Beijing, and there weren't many modern buildings during my childhood. I was influenced by traditional culture - the courtyards, the hutongs, the old city, and all the art forms - so, very naturally, I brought this to my practice.
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I grew up in the old neighborhood of Beijing where you had a courtyard and trees. Actually, the whole of Beijing was a garden - the Forbidden City - and the lakes and gardens in the city center were all artificial.
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
Modern Art is being used to index me. Surely it was a source but photographers have influenced Modern Art quite as deeply as they have been influenced, maybe more. Anyway painters don't have a copyright on M. A. We were all born in the same upheaval.
The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.
When people say that L.A. doesn't have a culture, I think it really does: a very old culture, and very specific. There's streets named after entertainers, and statues of entertainers, and it's great. Entertainment is still art, even if it makes billions of dollars. So it's like a city built on entertainment, and art in a way.
I'm not just influenced by the '60s - it's who I am. I grew up with Allen Ginsberg and Che Guevara. I flirted with various forms of communism when it was way out of style. It was this really strange and creative time in music and culture, and it was fabulous.
After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.
China has some cities, traditional cities, with a long history. They are so beautiful, and they were planned so smartly. I call them gardens on the city scale. For example, Beijing has mountains, waters, lakes, bridges, towers. It was a very poetic city.
I grew up in Chennai and was very much influenced by Rajinikant's stardom and importance of cinema in Tamil culture.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
In the '60s when I was a student, there was this campaign to destroy 75 percent of the old buildings in Paris, replacing them with modern architecture. I realized this as a dangerous utopia. This modern vision did not understand the richness of the city. Thankfully, such destruction did not happen.
I grew up in - I personally grew up in a gun culture. I grew up in upstate New York where most families had guns for hunting, target practice, whatever. The vast majority of people I knew never used their guns for any crime.
Go walk the streets of Beijing. It's pretty hard to argue it isn't a modern city. Now, if you go outside [of Beijing], in the rural areas, that's true. But rural America, you can say the same thing, in Appalachia there's an awful lot of poverty and lack of education.
I'm an immigrant kid who came to America from India when I was very young and grew up in New York City with a single mom and really was influenced by all of those immigrant cultures bumping up against each other.
If you're very, very conservative and you like that sort of practice, go find a very conservative Zen master and just do traditional Japanese practice, which is not that traditional actually.
I'm from New York. I grew up there. I grew up in Westchester County, the suburbs. For me, that was always the best of both worlds. I was super lucky to have a place where I could pretty much practice drums unperturbed. Obviously there were neighbor's complaints, but not very often, and I could get to the city easily by myself or with my parents.
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