A Quote by Ma Yansong
When we talk about a city, we need to talk about what the future is. Whats the ideal scenario in the future?
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Science fiction also provides a sense of nostalgia that is always present when it comes to Palestine, in that whenever we talk about Palestine, it is never in the present, but either remembering a past or imagining a better future. Submitting gritty Middle Eastern politics to high production sci-fi in this manner not only underlines the absurdity of the situation, but brings about a dystopian future scenario.
When we talk about the future, we often talk about it as damage and limitation exercise. That needn't be the case - it could be a Renaissance.
We do a lot of outbound work where we're talking about the future. As we get involved with these new products, it helps us have a platform to talk about where the future is going.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
Psychologists and economists love to talk about the notion of two selves: present self and future self. It's a nice way to explain the tendency to have one preference about the future, but a very different preference when the future becomes the present.
It's only when you're forbidden to talk about the future that you suddenly realize how much the future normally occupies the present.
There are two kinds of people: one who goes on thinking about the future, not bothering about the present at all. That future is not going to come, that future is just a fool's imagination. I don't think about the future. I am a totally different kind of person. I don't think about the future at all, it is irrelevant.
So one predicts the future as much as one is cause. The future isn't a pattern laid out to abuse and bully you. The future is a beautiful playground that nobody happens to be combining. You talk about virgin territory - the most virgin territory there is, is the future. You can do anything you want with it. Nobody is doing anything with it.
Talk to me about sadness. I talk about it too much in my own head but I never mind others talking about it either; I occasionally feel like I tremendously need others to talk about it as well.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
I talk with countries, whether it's the Arab states or in the Middle East, and they talk about how they're glad to see us fighting against Iran. I talk with different countries in reference to Syria, and we talk about how we can get the Iranian influence out. We're talking about North Korea and what we need to do and the pressure we need to put on China. They're happy that we're finally beating up on Russia for what they've done in the Ukraine.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
Similarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future don't talk about it. Those who've read the Book of Ages never admit to it.
We need not worry about the future, we need not be prophetic about the future, we need not say a single thing about the future. We should be joyous and happy in this moment, and the next moment will be coming out of this moment. It will be suffused with the celebration of this moment, and naturally it will lead you into a higher celebration. The future is going to come out of this present.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
I'll talk all this craziness in my music, but when I have your attention, and you're listening to me, I'll talk about what I want to talk about and what I think we need to address.
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