A Quote by Ma Yansong
Sometimes I sketch and then scan my sketch directly to make the curves more freehand. I don't want to make perfect industrial curves.
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I work on fittings, mostly. You know, I sketch less and less in my work. I sketch for the show sometimes, but then it becomes more conceptual. But when I don't sketch, it becomes more pragmatic.
So many designers only sketch and leave pattern-making to others. Pattern-making is important so you know the structure. Then if someone tells me, 'I can't make a pattern from that sketch,' I can tell them, 'I will make it' and then they are quiet. If I can't make it, I don't design it.
The thing I love about sketch is sometimes it leads you as opposed to you leading it. So, I don't go out there [thinking], "Oh, I want to make this as silly as possible." In fact, sometimes I get the most enjoyment out of a sketch that plays very real - and it's so real that it's just funny.
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
Gardens... should be like lovely, well-shaped girls: all curves, secret corners, unexpected deviations, seductive surprises and then still more curves.
When somebody would come in with a sketch that was not so good, you figured out in a room how to make that sketch work.
I love curves; I'm all about curves. I don't have many, which is really sad, but I think the more the better.
It's kind of like trying to make straight lines from curves, but involving shapes that sort of dictate what the curves are, if you like, and the difference between two separate pieces creates a third transitional piece if you like.
Sometimes, I sketch, but not every day. I sketch random things, whatever I can get my mind into. I'm not a professional, it is just a hobby I've started.
Sketch shows change gears so drastically every two minutes. I think sketch shows are for sketch fans; they're not really for everybody.
When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.
I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.
When producers want to know what the public wants, they graph it as curves. When they want to tell the public what to get, they say it in curves.
That's what I love about sketch comedy: a sketch is five minutes, then it goes dark, and there's the potential for something else.
Having made up my mind, I went to see Steve [Jobs]. I brought a hand-drawn sketch with me, and I said, "Please make something like this." He said, "Don't show me such an ugly design sketch." But he also said, "You've got the right idea. I totally agree that the time has come when we can make the ultimate mobile machine."
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