A Quote by Maajid Nawaz
Amnesty International adopted me as a prisoner of conscience, and that led to my - it touched me in a way that really led to me opening up my heart, I've called it the re-humanisation process.
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I was filled with hate and anger. But during my trial, something decisive happened: Amnesty International adopted me as a prisoner of conscience, and it was an unbelievable feeling to know that there is someone fighting for you on the outside. Amnesty's 'soft' approach made me seriously consider alternatives to revenge.
I am confident in saying that Oberlin did more for me than vice versa. I took a fantastic class in religion, which led me to archaeology, which got me to the Middle East, which led me to international relations, which launched me on my career.
I feel that puttin' in the hours and years in the studio, honing my craft, definitely played a part, me consciously networking and presenting myself as an artist that's commercially sellable led to me meeting the right people, which in turn led to them givin' me positive referrals to other people, which in turn led to me signin' a deal.
Stand-up led to me doing solo shows, which led to me being offered my first broadcasting job, being a VJ.
There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.
I didn't follow big box office ideas. That eventually led me to witches. It's led me to find interesting roles.
My travels led me to where I am today. Sometimes these steps have felt painful, difficult, but led me to greater happiness and opportunites.
My travels led me to where I am today. Sometimes these steps have felt painful, difficult, but led me to greater happiness and opportunities.
I can't see how You're leading me unless you've led me here, where I'm lost enough to let myself be led.
Choose your leaders with wisdom and forethought. To be led by a coward is to be controlled by all that the coward fears. To be led by a fool is to be led by the opportunists who control the fool. To be led by a thief is to offer up your most precious treasures to be stolen. To be led by a liar is to ask to be told lies. To be led by a tyrant is to sell yourself and those you love into slavery.
I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.
Leonard Bernstein was probably the most significant formative influence on me - he was such an encompassing musician. I spent my teenage years absorbing him, and my other interests stemmed off of that. Bernstein led me to Sondheim and to Gershwin, and Sondheim led me to listening to Joni Mitchell.
I kinda came into my manhood, or what I thought was my adulthood, early. I had to show up, and I had to make sure I had gas money, food money, rent money, clothes money - everything was on me, startin' at that age, so that's what led me to start hustlin', that's what led me to start to try to find ways to fend for myself. And once I did that, I was full-time, bein' in the street, and, bein' in the street, it's cold. It's the way the streets operate, and you have to adapt to that.
I didn't do well in high school, but I took photography, and I loved being able to capture moments. It led to more and more photography, and fashion was the angle into photography for me. It was incredible to see photographs by Irving Penn or Helmut Newton. I was really intrigued by that, and that's what led me to New York City.
It was you that led me to the musical that's everything to me. You held my hands so that I can enter the world that I could only watch. When I fell, you helped me stand up. When the path was closed, you opened it up. You're that kind of person to me.
The work I did with Artists Collective led me to a scholarship at Uconn... It led to me getting a scholarship at the Eugene O'Neill Theater Center and a scholarship at Trinity Rep in Providence.
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