A Quote by Maajid Nawaz
There was a genocide unfolding against Bosnian Muslims and we, in the United Kingdom, were incredibly angered - a teenager at the time, 15 years old, so my young teenage mind processed that in a way typical to the very passionate and angry and black-and-white way that teenagers often can do.
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The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.
We are not Black Muslims we are Muslims. You see, you have Catholics. You have Chinese Catholics, you have Indian Catholics, you have black Catholics and white Catholics. But I'm sure you don't ask a man are you a white Catholic? Are you a Chinese are you a yellow Catholic, a red Catholic, or a white Catholic? He's just a Catholic. We have black Muslims, we have brown Muslims, we have red Muslims, we have yellow Muslims, we have even white complected Muslims, so I'd like to clear that point, this is a press word, Black Muslims.
We were raised very colour blind. I had gone to school and to camp for so long with white people, I think I was like 15 years old before I realised I was black.
There is a genocide that is taking place among black men, in particular young black men, but it is not a genocide being perpetuated by white cops, by the Nazis, or by the Klan. Unfortunately and tragically, it is being perpetuated by other young black men.
I couldn't have known how vertiginous the entire Huxtable project was. I was, like, 10, 13, 15 years old when the show was a thing. But eventually, I could see that Cliff became a play for respectability. 'This is how you comport yourself among white people, young black child. Take a little bit of Howard with you on your way to Harvard.'
With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
The thing about being black in a mostly white industry, particularly as a black male, is you can't lose your temper in the same way. Essentially, you are an angry black man losing his temper in a way that's unprofessional, as opposed to an industry that has protected unprofessional white males in perpetua.
I learned to slip back and forth between my black and white worlds. One of those tricks I had learned: People were satisfied so long as you were courteous and smiled and made no sudden moves. They were more than satisfied; they were relieved -- such a pleasant surprise to find a well-mannered young black man who didn't seem angry all the time.
It was commonplace to hear it said, after the Bosnian genocide kicked off in 1992 and the Rwandan genocide erupted in 1994 and the Darfur genocide began in 2003, that the 'international community' had learned nothing since the Holocaust.
We seem to be keeping old fans and are bringing on new fans that are teenagers. I think that is amazing. When I was a teenager, that was when I fell in love with music. It affected me in a deep way. That's why I love having teenagers at our shows.
We left Egypt when I was seven, and we didn't return until I was 21. My teen years were divided between the United Kingdom and Saudi Arabia. Up until we left the U.K., it was like your regular teenage years. The one thing I remember is that I couldn't date. That was one thing my parents made very clear.
I say it in the writers' room all the time: My black is not your black. What's terrifying is that, just the same way we've all accepted that normal is white, everybody seems to buy into the idea that there's only one way to be black or one way to be Hispanic. That's as damaging as anything else.
What I preserved in the figures [at Invisible Man] are those white eyes and white teeth, because that's still connected to the way in which blackness, in the extreme, has been stigmatized and the way it was often joked that you couldn't see black people in the dark until they had their eyes open or were smiling.
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
I used to be in music, in a punk band in my teens. It was very teenage of me, I wanted to find a way to be loud and angry and righteous and that seemed the most productive way to do so.
Salafi is a very broad concept in Islam. What we have now is, like, for example, the Nour Party in Egypt or the Salafi in Tunisia are people who, in fact, we call very often Wahhabi, following the Saudi school of thought and law. And they are literalists in the way where it's black and white, there's a very narrow interpretation of the scriptural sources. For decades, we knew that they were there, but they were not involved in politics. What is completely new for all of us over the last years is that they are now within the political arena and playing the democratic game.
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