A Quote by Mac DeMarco
I really love a lot of Japanese music, like Ryuichi Sakamoto and this guy I got really into, Tatsuro Yamashita. When I was a little younger, I thought synthesizers meant Kraftwerk, cold, robotic, weird, Autobahn. But these guys are having a lot of fun on these things. Sometimes. Sometimes it's very somber. They could go either way.
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I love Jonathan Richman - I love a lot of his music, and the thing I really like about him is his attitude. He seems very happy, and the way he performs is like, 'Don't worry, everybody, just get into it. I'm just having fun; I like when you guys are having fun.'
I think the people that really understand my personality and my real fans understand that I'm not really PC; I'm not very kosher, so sometimes I go way over the line, but a lot of things are also meant in humor.
I love listening to old school stuff. I listen to some new cats out here, but I'm really into, like, Tech N9ne and his clique; I really like Eminem and those guys - cats that got real flow: I really connect with that. But I do love rock. I love a lot of electronica because I love programming synthesizers.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
I think I always knew I was going to somehow be on a stage. I was quite an extrovert, as a child. And I did a lot of music, when I was younger, so I thought I was going to go into music, but I fell into acting, in a really weird way.
I had to do a lot of work and allow myself to go places that were a little scary. You know when you play a guy like that it allows you the freedom to explore really weird parts about you. And it's OK. In order to really get it, I've got to allow myself to go there.
When you can inspire other people to do something they couldn't do before, that's a very satisfying feeling. Sometimes I meet people and they're over the top excited to tell me how much they love Razor. There is no shortage of synthesizers out there, every week there's a new synthesizer, especially plugins - there is a lot of competition - so if you make somebody really excited about synthesizer it really feels good, so it's a source of a lot of pride and satisfaction.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
I really love having conversations and deconstructing things. I don't mind not having a laugh every second. Sometimes things deserve a little more discussion, and then you can have some fun after that.
A lot of it was really, really fun, but at some point, things started getting weird. We didn't allow each other to breathe. We didn't really have a sense of ourselves individually. We were very insecure... We were really threatened by the thought of 'Oh my God, what if someone goes off and does something outside the band?'
I play with a lot of emotion because I'm a passionate guy, and I play with that passion. I love playing that way. Sometimes you're late onto the ball, sometimes you're not. Sometimes you make contact with the guy when you tackle him, sometimes not. It's a sport where individual duels are vital, so I don't see it as a problem.
A lot of stand-up specials for cable are meant to glorify the comedian. They put you in a really beautiful theater, and sometimes they even blow a little smoke in there to make it misty and sweet. They make the guy look like he's a big rock star. But comedy's not really glamorous. It doesn't enhance comedy for it to look good.
I remember I was really into this British band, The Vapors, with that song "Turning Japanese." I thought that they were really next level genius cryptic weirdos. And then I realized when I got older they are just using a lot of British words, and I didn't know what they meant. But I thought, Oh, they are making up their own language.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
I think burnout is a big thing. If I could do it over again, I'd probably do it the same way, playing other sports when I'm younger. I see a lot of parents really push their younger kids really hard, and you want to see your kids do stuff, but there's a point where they really should have fun at that age.
There's not a lot of whimsicality in the form, not a lot of indulgence allowed. Like when I was younger, I would sometimes go, "Oh, every other section will be narrated by a chair." Or, "It will be a double helix shape!" That never really worked.
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