A Quote by Mac DeMarco
It was weird [touring with them]. It felt more like we were playing for Phoenix. They asked us because they're fans of what we do.
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We went on tour with Phoenix. I don't really know anything about Phoenix I'd heard a couple songs. And I thought, I don't really know if I want to go on this, it's kind of weird, kind of a pain in the ass for us. But everyone was like YOU HAVE TO DO IT, it's going to be so good for your career. And I mean I don't know if it was good for our career but the guys in the band were super huge sweethearts.
It’s a little weird to have fans see pictures of us when we were little because it’s like, ‘Where’d you get that picture?’
I claimed identity as Jewish musicians for political reasons, because most of us were touring in Germany and, at this time, twelve years ago, there was a strong resurgence of Nazism in the places we were touring and part of that was on the music scene.
The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
I mean it was weird. But Phoenix watched us every night. But it's like they're not even a band, they're like a corporation. They bring a staff of like 40 people.
The most important part about playing shows and touring, is connecting with fans. At the end of the day it's not really a band and fans, we're all just human beings.
Whenever people ask me: 'Why didn't you get up when the bus driver asked you?' I say it felt as though Harriet Tubman's hands were pushing me down on one shoulder and Sojourner Truth's hands were pushing me down on the other shoulder. I felt inspired by these women because my teacher taught us about them in so much detail.
I love playing and I like traveling. I really do like playing in Canada, its not to diminish anywhere else because touring internationally can be cool.
The very first practice we [Woody Weatherman, Mike Dean & myself ] did it was like, "Oh ok, I get it." We were jamming on some crazy ass, out of the box, weird time signature riffs and I got it, whereas anyone else who was playing with them recently would have been like, "What? What are you doing?" So I think there's something unspoken between the three of us that makes us Corrosion of Conformity.
Hanson has rapid female fans, which I’m completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There’s younger fans. More and more guys are Hanson fans [but they’re] musicians or kind of guys who were into a Beatles record.
Hanson has rapid female fans, which I'm completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There's younger fans. More and more guys are Hanson fans, musicians or kind of guys who were into a Beatles record.
But I felt like Pablo Escobar felt like he was an honorable businessman. And when he killed people, I think he felt he did it because they were honorable. That they were liars and were trying to cheat him. I don't think he had a lot of respect for the politicians in Columbia at the time, so he had quite a lot of fun killing them.
I know I have sex appeal, but I've never felt like an actual sex symbol. Fans sometimes think I am. The majority of them are sweet about it, but occasionally somebody weird becomes totally fixated upon me.
On 'Phoenix,' I talk about thoughts of suicide and my whole life. It's called 'Phoenix' because it's talking about dying - but when a phoenix dies, it's reborn from its own ashes. I related to that.
I don't think we were shy so much as we were terrified. Especially when we did 'Saturday Night Live' on live TV. We looked really animatronic because we were scared, but it came off as being this alien sort of attitude, which served us well, because people were like, 'Whoa, this is so weird.'
When I started making my own music I was listening to people like Erykah Badu and Elliott Smith. I think I always gravitated towards slightly more understated voices because it felt like I could really connect with what they were saying. It felt more like a conversation.
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