A Quote by Mac DeMarco
[Making music] only turned into this weird job in the last year or so. Once I figured that out, I was having a blast.
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Yes, I direct commercials as well. I get these really weird offers and then I have to bid on them and win the job. One offer that I have now, and I've already done this last year for the same company, is for Cash Value Cheese, this cheese out in the midwest. I did two spots for them last year and I'm going to probably do three this year. I also did some for the Utah Transit Authority, which was weird and interesting and they turned out really funny - they actually won an award.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
I loved music, and in my ninth year at MIT, I decided to buy a hi-fi set. I figured that all I needed to do was look at the specifications. So I bought what looked like the best one, turned it on, and turned it off in five minutes, the sound was so poor.
Once publishers got interested in it, it was a year in developing, and it was launched, I think, in 1960. But Willie Lumpkin didn't last long - it only last a little better than a year, maybe a year and a half.
You can't take a coal miner making $95,000 a year, the only work in these parts where you can support a family without having to hold down three jobs at once... and tell them, 'You can make minimum wage,' or, 'We can give you job training for jobs that don't exist in West Virginia.'
It is obvious that the performance of a stock last year or last month is no reason, per se, to either own it or to not own it now. It is obvious that an inability to "get even" in a security that has declined is of no importance. It is obvious that the inner warm glow that results from having held a winner last year is of no importance in making a decision as to whether it belongs in an optimum portfolio this year.
I was happy to carry on without children because I was completely immersed in my work and my career. I only heard the clock ticking in my late 30s, and when my mother Marion died the year I turned 40 it hit me with such a force that we ended up having IVF, which turned out to be unsuccessful.
Once I figured out what I wanted to say in my music. As soon I recognized that and once I was living my truth, the money followed.
I want people to know that I am having fun. That's the biggest compliment I can get is when people tell me I'm having a blast out there - if they only knew. I'm having the time of my life every night.
I was never really a DJ... I just kinda figured it all out at once as I started to tour. I was making music and producing and I just had to start to DJ as I got more into touring.
Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.
Then we started looking at story and what was making sense and what wasn't making sense, emotionally and thematically the intention that we had a year earlier when they were working on the script, did all that come across? It's all kind of generic things, but it's fascinating and it's weird - I haven't made that many films, but it's weird that every time you think you learn from your mistakes on your last film you have a slew of new mistakes and things that you learn.
My only non-acting job was being a barista at Coffee Bean. While I was in college, and I had a blast! I loved making drinks because I got to be like a mad scientist.
I want to be an artist, not be in the business of making hit records. Once I figured that out, everything became clear.
Music is a job, but I figured out ways to get my mind into a place where I could be creative. I actually discovered meditation. It enabled me to clear my mind of all the drama and focus on the music.
Intimate justice touches on ideas of gender inequity, violence, bodily integrity, physical and mental health. I don't expect a 15-year-old girl to have that figured out; it's hard enough to have it figured out when you're 50.
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