A Quote by Mac DeMarco

Journalists say my music is "blue wave," or "dreamy," or "jangly-slacker jewel," and none of it really makes sense to me. — © Mac DeMarco
Journalists say my music is "blue wave," or "dreamy," or "jangly-slacker jewel," and none of it really makes sense to me.
The opportunity to orbit the Earth, witnessing multiple sunrises and sunsets every day, looking back to our small blue life-sustaining jewel from a distance, gives me the greatest sense of anticipation.
Not all journalists are really journalists. They ask such stupid questions sometimes, especially the newer ones, and because... these people can't tell if you're joking around, you just can't have any sense of humour; you really can't.
I don't feel like music is getting more intense; I think generally the channel for deeper harmonic saturation is not just a sine wave - but a really crunched sine wave. The trend in music is towards a harmonic saturation. I wouldn't say I'm reacting against that. It's just a personal choice to move into some weird space. This also allows me breathing room in the future. It just felt like the right thing to step back on.
Music means communication to me. I say 'listen you people out there, listen to my music, let's be one.' Music is a friend to me when I am lonely, when I am blue. You can't define music 'cause music is cosmos and it knows no barrier or definition. You have to feel music to dig it.
Just as music is noise that makes sense, a painting is colour that makes sense, so a story is life that makes sense.
Many journalists now are no more than channelers and echoers of what Orwell called the official truth. They simply cipher and transmit lies. It really grieves me that so many of my fellow journalists can be so manipulated that they become really what the French describe as functionaires, functionaries, not journalists.
Am I a slacker? I can be a slacker. When I was in college, most people got summer jobs for college or did research during college. I went home and watched TV the whole day for three months; it was really awesome.
I believe that in music and in a lot of things it's kind of like surfing, you can have a really big wave sometimes and then you can have a smaller wave.
I'm really proud to be a woman making music. Nothing makes me happier than when other women approach me at shows and say, "You've inspired me to start writing music," or, "I feel like we could be best friends." Music is a male-dominated business, so it's nice to see bands with girls in them, and not just a bunch of dudes with beards in flannel shirts.
This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes. From the western half of the sky the sun was shying little golden disks at the sea--if you gazed intently enough you could see them skip from wave tip to wave tip until they joined a broad collar of golden coin that was collecting half a mile out and would eventually be a dazzling sunset.
People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.
Aquamarine is an airy blue with a dreamy feel. Cool and calming, ethereal Aquamarine is a shade with a wet and watery feel. Open and expansive, this restful blue also acts as a stress reducer.
Beta and modern portfolio theory and the like - none of it makes any sense to me.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.
It makes no sense to me at all to give away music for free. The very fact that we have to do that cheapens the music. And there's a huge effect to that of music not playing such a big part in peoples' lives anymore.
Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 million plays. That makes the songs interesting. The last part is the fact that it's danceable.
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