A Quote by Mac DeMarco
That's kind of the weird thing about Salad Days. I had to block time off from touring and tell my management and label like no press, no nothing. Let me make an album. You guys are running me dead.
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A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.
The only time I felt like a weird exploiter - even though I knew I wasn't one - was when I was writing a sex scene between me and my adorable co-star [Adam Driver] in which he had to tell me how much he loved my potbelly. It seemed like a weird wish-fulfillment thing, where I'm directing my own fantasy.
I had a really successful 2013, '14, '15. Touring, just doing my thing. Super - I mean, can't complain about nothing. And my road manager got killed. And it ruined everything. Now, I tell people - I don't know if this is a word. But I tell people that that re-sensitized me.
I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.
The touring thing is such a huge time commitment. I'm really feeling like I want to start writing and recording music again. But I have to leave for tour tomorrow. That's kind of frustrating; at the end of the day, you're plugging into this lifestyle. It's the "band lifestyle," and that's weird! I would like for touring to be creative in its own right.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
This is why I shall not tell you in this story about all the days when nothing happened. You will not catch me saying, 'thus the sad days passed slowly by'--or 'the years rolled on their weary course'--or 'time went on'--because it is silly; of course time goes on--whether you say so or not. So I shall just tell you the nice, interesting parts--and in between you will understand that we had our meals and got up and went to bed, and dull things like that.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
Each thing leapfrogs. I do a Genesis project - like now, we're just finishing off an album - and then by the time the album is doing its thing, I could do nothing or I could do a film.
Obviously yeah, but our first album took us five years to put together, to get signed and to put it out, we had a lot of time to think about what we were doing. Black Sunday was like a whirl wind, we had to rush back to the studio after touring, but the last album we had a little longer, what like eight months?
Everyone likes to tell stories. And gossip is, of course, even more exciting, if you know the people. But if the gossip's about yourself, it's very weird. They once wrote about me that I had been clubbing with some guys. At the moment I'm a victim and that hurts because it's not me who does something like that. Such stories are just unfair.
The process of touring is always so weird to me. Once you've made the album, that's over, you move along.
Musically, between me and my fans and also me and my team, who between management and record label have always just let me be me, it's fun to pave a path. It's fun to feel like you're doing things your own way. So in that regard I haven't had to worry about any bar but my own.
There'd be days I was in the locker room with my dad doing media, and there'd be other days that I'd be with my mom in the press box and just kind of looking at stuff from that point of view. I'd see guys writing stories after the game and stuff like that. So it was cool to me to see both sides.
Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
They try to make it seem like trouble follows me, but since my first album came out, I ain't had nothing happen at my show that had something to do with me.
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