A Quote by Mac DeMarco
My grandma did opera singing for the better part of her life; she used to sing all over the place. My grandpa was a sax player, and he used to travel all over the place, too.
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I'm the only person in my family who can't sing. My grandmother was an opera singer and all of her kids were in church five days a week - or between church and vocal lessons at Carnegie Hall. But my mom had her first studio experience recording on my album. She's used to having to fill the room, so she had to adjust to the microphone and not sing opera.
I used to listen to Judy Garland all the time - I love Judy Garland and her music. But I started to realize that if you keep singing like that, singing songs of being victimized by love over and over and over again, it can't help but have a profound effect on your life.
I have a black Grandma and white Grandma. My white Grandma lives in Fort Lauderdale, paints, and teaches bridge. She's wonderful. My black Grandma, equally wonderful, is my neighbor across the street, Bobbie, who's always insisted that I call her Grandma, and honestly, over the years she's become a real Grandma to me.
The journey to sacred places is the most common way that people travel in India. They are always going on pilgrimages to sacred places. They are always undertaking spiritual journeys to visit the great shrines in the Himalayan tier of pilgrimage places; these places are called tirthas, a word that means "crossing place," a place where you can cross the river to the far shore but also cross over into another dimension of life. Cross over to heaven, in one sense it's used.
Cows in India occupy the same position in society as women did in England before they got the vote. Woman was revered but not encouraged. Her life was one long obstacle race owing to the anxiety of man to put pedestals at her feet. While she was falling over the pedestals she was soothingly told that she must occupy a Place Apart - and indeed, so far Apart did her place prove to be that it was practically out of earshot. The cow in India finds her position equally lofty and tiresome. You practically never see a happy cow in India.
A few years ago, when I was writing songs for my first album, I was staying with Michael Feinstein as I often did. I was working on a pilot. My grandma was very sick at the time. She died of complications from alcoholism. She always used to say [in his grandma's voice], "Red wine is good for my heart. That's what my doctor said." And we'd say, "Yeah, but not for breakfast." Unfortunately, it was the thing that killed her. I felt inspired to write a song about her and what that meant for her life and for all of us. I was writing it in Michael's house.
Her feelings she hides Her dreams she can't find She's losing her mind She's falling behind She can't find her place She's losing her faith She's falling from grace She's all over the place
When I first started, I was much weaker of a singer because I wasn't used to singing so much. Now I've learned, when I'm singing on stage, not to go over. You can go over and mess yourself up. I used to do it all the time, wouldn't know how to preserve it for the next show.
Clary didn't ask what that was. She was busy trying not to fall over. The ground was heaving up and down under her feet. "Jace," she said, and crumpled into him. He caught her as if he were used to catching fainting girls, as if he did it every day. Maybe he did.
My brother Trev went to the Professional Performing Arts School in New York, and he used to do his monologues and stuff and rehearse in our apartment. So I used to hear him all the time doing these things over and over and over. And when I was a little girl, I used to soak up everything - like anything anyone did, I soaked it up.
Yes, my mom has studied at Lucknow University. She used to tell me various things about this place. She used to live in Indira Nagar and her extended family still lives here.
For hours she danced and sang and flirted and did this thing that's-she did Marilyn Monroe. And then there was the inevitable drop. And when the night was over and the white wine was over and the dancing was over, she sat in the corner like a child, with everything gone. I saw her sitting quietly without expression on her face, and I walked towards her but I wouldn't photograph her without her knowledge of it. And as I came with the camera, I saw that she was not saying no.
I was clearly brought into the whole thing about acting by my mother. She loved the theater. She had a very pleasant singing voice, which she used to sing for her ladies' club.
Once again she would arrive at a foreign place. Once again be the newcomer, an outsider, the one who did not belong. She knew from experience that she would quickly have to ingratiate herself with her new masters to avoid being rejected or, in more dire cases, punished. Then there would be the phase where she would have to sharpen her senses in order to see and hear as acutely as possible so that she could assimilate quickly all the new customs and the words most frequently used by the group she was to become a part of--so that finally, she would be judged on her own merits.
Especially with athletic pubalgia and the patellar tendonitis - I used to bowl six balls and then I used to be gasping for breath. And there would be pain all over the place.
'Dirty Dancing', 'Grease', those were the movies that I used to watch over and over and over at my grandma's house when I was a little girl. I just remember watching them, and I always wanted to be Sandy, and I wanted to be Baby. I wanted to be the girl who's lifted in the dance, and she's beautiful and all those things.
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