A Quote by Mac Miller

I could take a photo, but I'd rather paint a picture. — © Mac Miller
I could take a photo, but I'd rather paint a picture.
If I was painting a picture, I wouldn't want to take a picture of a single paint stroke. I'd rather show people what it looks like when it's done.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
Dates can be important. It's a nice way to remember when I took the photo without having to rack my brain or look in the archives. It also makes every photo important, because there is the date. I can take a picture of nothing, but at least we know when I took it.
In France we have a law which doesn't allow the press to publish a photo that you didn't approve. It lets the paparazzi take the picture, but if they publish this picture, you have the choice to sue the newspaper. So me, I always sued them.
There is, I am convinced, no picture that conveys in all its dreadfulness, a vision of sorrow, despairing, remediless, supreme. If I could paint such a picture, the canvas would show only a woman looking down at her empty arms.
Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject.
Take a picture of you in a mirror or/and get somebody to take a photo of you and look back at it, it's quite a good way to figure out what suits you and looks good.
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
It takes two guys to tell a story, paint a picture, so our audience can be entertained and brought into the match. You need to suck people in emotionally to a match, and it takes both parties to paint that picture.
If you're a painter, paint. But you don't have to put Jesus in every picture. Paint well, and if you paint well enough, they might ask you why you do that.
I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.
Because I'm a bald, dim-witted writer, people think I couldn't possibly be her husband, so they occasionally confuse me for someone more glamorous. At O'Hare airport, a man asked if he could take Rebecca's photo. When I reflexively stepped away, he said, 'No, no, no. I want your picture too, Andre Agassi.'
I don't think you can lightly paint a picture. It's an activity I take very seriously.
This site uses cookies to ensure you get the best experience. More info...
Got it!