A Quote by Mac Miller

'Cruise Control' was the first track me and Wiz Khalifa ever did. I made the beat on that, and I played guitar on it. — © Mac Miller
'Cruise Control' was the first track me and Wiz Khalifa ever did. I made the beat on that, and I played guitar on it.
You know when people say, 'How do you go from Kanye to Wiz Khalifa - that's a downgrade.' But the only question I can ask them is: 'Have you ever dated Kanye? Because I have, and believe me, I did not downgrade at all. Not in any aspect, at all.'
I love Wiz Khalifa.
I think the illest thing about Wiz Khalifa is how true to himself he's always been, and I miss that from artists. Nothing about what he does ever felt like he was reaching to be something that he wasn't.
I met Drake officially for the first time two years ago at a Wiz Khalifa concert in Toronto. I was with Rich Homie Quan. Rich Homie Quan introduced me and Drake and he said I had good beats.
Jimi Hendrix is the greatest guitar player in the world... a guy who mastered that instrument. It was talking when he played. And when he did a solo, he made the guitar cry - or made it sound like it was coming from the devil's amplifier.
We did a lot of high school productions. My first was 'Twelfth Night.' I played Viola. We did 'Much Ado About Nothing' and 'Taming of the Shrew,' and a lot of musicals: 'The Wiz,' 'Bye Bye Birdie,' 'Oliver.'
Roll big blunts, a whole ounce of reefer Rocked that 'Black and Yellow' before Wiz Khalifa It's a killer bee color scheme
I played all the guitar parts except the guitar solo on 'Beat It.'
All gut strings. Thats just the first kind of guitar I played, it was a nylon string guitar. And to me, its the purest form of guitar making, and I just enjoy doing it.
All gut strings. That's just the first kind of guitar I played, it was a nylon string guitar. And to me, it's the purest form of guitar making, and I just enjoy doing it.
I became interested in the delay, having sounds recorded and played back and then come back. I did many different configurations of sending signals from one track back to another track, or to the same track, or crisscrossing them and so forth. I worked on masking the delays so when I played into the machine, I would make long tones and collect sounds in such a way that you didn't hear the delay, although sometimes you did.
I would just like to say that Ritchie Blackmore did a bunch of great stuff guitar - wise. I'm happy to play the solo from 'Highway Star'. I always thought it was one of the most exciting guitar solos I'd ever played.
The most important thing for me is to have as much control over what's going on in front of me as I possibly can, so because of that, I don't play to a click track, and I don't have anything on the grid. Everything is triggered by me. Everything is played by me. Everything is within my control.
In England I played everything - swimming, athletics, football, rugby, badminton, cricket - all of that stuff. I was in the first teams for all the sports at Brighton, played on the wing in rugby, and ran 100m, 200m, 400m, and did long jump and even the javelin at one point. In the States I did a bit of track, but mainly I was there for the boxing.
I played guitar all my life, all the way through the Yardbirds, but I knew that for me, this was going to be a guitar vehicle, because that's what I wanted it to be. There is no way I would play guitar like a tour de force like I did in Led Zeppelin.
The first band I was ever in, I played guitar. We did Gary Glitter and Green Day covers at the time. We were called Fizz. I have no idea why we picked that. We were, like, 12 years old.
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